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Keeping it Real, The Benefits and Knowledge of Public Relations for the Sport of Dressage

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Words are, indeed, powerful. Handled properly, they inspire interest. They inspire feelings. They inspire a connection. An informative and entertaining article draws interest, gives dressage readers including owners, sponsors, riders, coaches and others a valuable piece of information on building a better community.

While competition is at the core of the Dressage sport, insightful writing fosters peer support, camaraderie and acquaints all involved with quality services, facilities, products and different methods of training.

The premise or principle of the sport of dressage is for each rider and coach to test out their horse's training in front of a judge (or series of five judges) for an evaluation. Inside this written test or spoken observation by the judges the rider receives feedback from a judge who states, ‘Here is where you stand today at this moment in your horse's training and here is your score.’ It’s a process for continuance. Where we can go wrong as a dressage community is in our thinking that the judge uses the evaluation as a means for weeding out. That mindset only builds all sorts speedbumps in missing out on a positve progression.

What does that have to do with sharing your lives with the public and article writing? Well, everything. We need to learn from one another. The judges, the riders, the coaches need to share with the greater society for the common good of our entire sport. An excellent article doesn’t just state the horse and rider’s score, but the current goals for that horse, what the judges confirmed for the rider and possibly what the judges pointed out for them to improve. With so many details to choose, a good article includes the inner workings, the details, the timing associated with a horses strength, biomechanics and its current confidence level. Readers want to read about the rider and coach thought process, on the evaluation of training of their horse, and what might be ahead in its training. 

Beatrice "Trixie" Marienau and Stefano 8 Photo: Dressage Headlines

An athlete might wonder if a public relations article about oneself seems like bragging. Rather, it is marketing. It is also teaching. It really all depends on the quality and appeal of the composition, and how it evokes interest and caring. Dressage is a horse sport that takes a lifetime to master and we are all in the same boat, learning new details and aspects each and every day. We need to share our knowledge and experiences.

An effective article can increase event attendance, endear readers to coaches, riders, owners, horses, to their countries of origin and to histories of learning, all of which bond and strengthen the worldwide Dressage community.

Each article must convey the pursuits in good clear writing. Although it is enticing to perhaps write one's own article, there is a difference in the quality between a citizen journalist and a professional journalist. A professional journalist is in service of their clients to spend their workdays in front of a computer writing articles, researching ways to better the sport and encourage readers with something valuable from the dressage professionals.

Data and the Evolving Media

Journalism and marketing are changing. As a photojournalist, I have learned a great deal over the years about successful public relations and its evolving trends.

First, Mondays are important. Verifiable data and news source analytics indicate that the highest number of views and reads occur on Mondays. The data points out that up to a third more reads of articles take place on Mondays, more than any other day of the week.Steffen Peters and Rosemunde Photo: Dressage Headlines

Second, the largest numbers of reads are about athletes readers know. From a Steffen Peters article I developed with him and posted online, I amassed over 10,000 reads during the first 24 hours alone, a total of 20,000 more throughout that month and many more ongoing.

Third, as I briefly mentioned above, readers are interested in learning. Regardless if an article is about a top athlete, an up-and-coming athlete, the methods used to train and communicate with a horse, or the biomechanics of a horse, the readers want to be informed and understand different training systems, the successes and mistakes learned, how a rider and horse work together and even about the often confusing rule requirements and details.

And the fourth, which is essential and crucial, is the written quality of an article and the quality of the photos. A high quality writer will not only give the text a sense of flow, it will also cultivate interest and a pleasant reaction. 

Why You Should Work with a Journalist and PR

The effort and time needed to devote to this sport is plentiful and can be daunting some days. It can take a rider five years or 1,825 days to develop a good Grand Prix horse. Even the contented person happily engaged in their daily work may question “Where are the journalists? Why don’t they want my story?” Rest assured, dedicated journalists are interested; we do want your story. That’s also how we make our living.

Since many equine product advertisers are trying to save their dollars by using internal internet platforms and websites to promote their products and services, they don’t want the high expenses associated with print or web advertising, anymore. Even though their need for favorable promotion to attract sales, recognition and distinction remains a constant, riders, coaches and owners have to step up and pay for their own advertising, their own marketing. Online or print PR articles are the answer. 

So, how do you help educate for the betterment of our sport? You engage a first-rate writer to share your story that includes a little bit of teaching from your system of training.  We need to work together to promote our sport and to help youth riders and all riders coming up the levels. We need to build bridges with one another.

One top rider’s concern is that our sport will grow and evolve into a PR campaign competition. It's not necessary to overdo it, one, two or three well constructed articles a year will suffice.  

Riders, horses, breeders, farm owners, trainers, coaches, veterinarians, farriers, and product and other service providers understand that well-structured publicity will improve awareness, stimulate curiosity, increase recognition and reach out to the up-and-coming.

The good news is our sport is growing. Athletes are receiving better scores on the international stage and big sponsors are stepping up for the Florida winter season in the United States and beyond. My responsibility as a public relations journalist and show coverage journalist is writing to readers, reaching to them and helping them learn. We all need to do our part. So, hire a writer (a photo-journalist) for a couple of articles a year. It will, indeed, make a difference.

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Tryon International Equestrian Center Selected to Host FEI World Equestrian Games™ 2018

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Tryon International Equestrian Center and Tryon Resort will host the 2018 FEI World Equestrian Games. ©MegBanks/TIEC
Mark Bellissimo, managing Partner of Tryon Equestrian Partners (TEP), announced today that the Tryon International Equestrian Center (TIEC) in Mill Spring, Polk County, North Carolina has been selected as the host venue for the FEI World Equestrian Games™ 2018 (FEI WEG). The Games, which are administered by the Fédération Equestre Internationale (FEI), the worldwide governing body of equestrian sport, is the major international championship event for the eight core equestrian disciplines of show jumping, dressage and para-equestrian dressage, eventing, driving, endurance, vaulting and reining.
 
The FEI WEG is held every four years, halfway between the Summer Olympic Games cycle and will occur from September 10 through 23, 2018
 
Bellissimo commented, "We are honored to be selected by the FEI to be the steward of the FEI World Equestrian Games 2018. Next to the Olympic Games, the FEI WEG is the most important event on the world equestrian calendar. We are confident that our partnership and our operating team will create a memorable experience for all involved with the ultimate goal of significantly elevating horse sport in the U.S. beyond the 27 million people who ride a horse at least once a year."
 
"We are very pleased to announce Tryon as the host of the FEI World Equestrian Games 2018", FEI President Ingmar de Vos said. "The Tryon team submitted a really impressive bid and we have every confidence in the organising committee. It's a truly spectacular venue and almost all the necessary infrastructure for our eight disciplines is already in place. We are looking forward to a fantastic celebration of top level sport as all the disciplines come together to crown their world champions at the Games in two years' time."
 
"We are thrilled with this news and thank the FEI Bureau for having faith in us and entrusting us with the honor of hosting this prestigious event," Bellissimo said. "It's a really great fit for the Carolinas' equestrian heritage and we look forward to working closely with the FEI and with the USEF to produce a tremendous FEI World Equestrian Games in 2018."
 
Equestrian enthusiasts from over 70 countries trek to WEG host cities every four years to cheer on athletes from their native countries, much like the Olympic Games. The Normandy FEI WEG had a local economic impact of $400 million, or 368 million euros, and an attendance of over 500,000 spectators during the 14-day event. 
 
"We are excited about the impact this event will have on the economic health of the Blue Ridge Foothills region of the Carolinas," said Sharon Decker, COO of Tryon Equestrian Partners, Carolinas' Operations.
 
The event has been held in an impressive list of major cities: Stockholm, Sweden (1990), The Hague, Netherlands (1994), Rome, Italy (1998), Jerez de la Frontera, Spain (2002), Aachen, Germany (2006), Lexington, Kentucky (2010), and Normandy, France (2014).
 
"We are delighted to welcome the FEI World Equestrian Games back to the United States and are delighted that the event will remain in North America," said Vicki Lowell, USEF Senior Vice President of Marketing. "We would like to express our gratitude to Tryon Equestrian Partners for stepping up to host this event with such short notice. Tryon Equestrian Partners has proven their ability to execute complex, high-level events and we are confident in their ability to produce an event of this magnitude. As one of the true pinnacles of equestrian sport, hosting the World Equestrian Games provides a fantastic opportunity to elevate the sport in the United States."
 
In 2014, Tryon Equestrian Partners (TEP) broke ground on the 1,600-acre Tryon Resort, which expands into both Mill Spring and Tryon, NC, and includes the Tryon International Equestrian Center. TEP has invested over $125 million dollars over the last two years creating the Tryon Resort, which aspires to be the world's premiere equestrian lifestyle destination. The design of the venue contemplated hosting the WEG, so a vast majority of the equestrian infrastructure is in place. Recent events accelerated the opportunity and the schedule. Today, TIEC is rapidly gaining a reputation as one of the world's premier equestrian venues complete with 12 riding arenas, over 1,160 permanent stalls, a variety of onsite lodging, restaurants, shops, and a year-round competition and events calendar. TIEC has already hosted several national equestrian competitions including the 2016 American Eventing Championships and the 2016 U.S. Pony Club Championships East. To see a recent video overview of the Tryon International Equestrian Center, please click on the following link: http://bit.ly/2ffVehA
 
Mark Bellissimo, managing partner of Tryon Equestrian Partners, is also the managing partner and largest shareholder of Equestrian Sport Productions, an organization with more than 150 full-time staff and 1,000 part-time staff, that is the largest show organizer in the US and operates more FEI competitions than any other event organizer in the world with 38 weeks of CDI and CSI events through four venues in the following states; Florida, North Carolina, Colorado, and Central Park, New York. The Bellissimo Family is also the owner and publisher of The Chronicle of the Horse, the US most respected and widely distributed horse sport magazine and online media property (www.coth.com). The Chronicle of the Horse's online media attracts over 8.3 million unique visitors annually.  Together Bellissimo and his partners have invested nearly $500 million in equestrian related assets and properties in Florida, North Carolina, and Colorado which includes the recent $72 million dollar purchase of the International Polo Club in Palm Beach in the spring of 2016.  
 
TIEC is already a welcomed economic engine for the region, having created hundreds of jobs, and is employing thousands in construction efforts over the last two years. WEG's estimated $400 million impact will extend up to and beyond Charlotte, Asheville, Hickory in North Carolina and Greenville and Spartanburg in South Carolina. TEP estimates it will invest an additional $100 million dollars over the next two years during phase two of the development which is primarily focused on resort amenities including lodging and hospitality elements.  
 
"Our partnership built the Tryon International Equestrian Center (TIEC) to support all levels and disciplines of equestrian sport including international competitions and championships," added Bellissimo. "Our partnership's passion for equestrian sport is based on our belief that we can grow the sport in the Americas, and that this country needs a comprehensive high-profile, high-quality destination to showcase all equestrian disciplines to an expanding spectator base and to increase access to horse sport for all socio-economic groups."    
 
For more information or to log inquiries or questions for the 2018 FEI WEG, please visitwww.TryonWEG.com.
 
Media Inquiries: Press conference to be held Friday, Nov. 4 at 10 a.m. at Charlotte Chamber of Commerce to unveil details regarding economic impact on North and South Carolina. For media inquiries, please contact Michelle McConnell Yelton (828-980-2883) or Carly Weilminster (410-245-7441) at media@tryon.com.
 
For more information on Tryon International Equestrian Center please visit the following: 
 
Tryon Venue Slideshow - http://bit.ly/2a8YmKp
Tryon Venue Video - http://bit.ly/2ffVehA
"Saturday Night Lights" Video - http://bit.ly/2airvhS
Opening Ceremonies Video - http://bit.ly/1IscKVz
To learn more about Tryon International Equestrian Center & Tryon Resort please click here
 
To keep informed, please "Like" us on Facebook at: Tryon WEGThe Chronicle of the Horse, and the Tryon International Equestrian Center and join our email newsletters.

 

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From Coast to Coast, Nearly 400 Competitors Converge on Kentucky for This Week's 2016 US Dressage Finals Presented By Adequan®

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Morgan Barrows of Washington State is back at the US Dressage Finals in pursuit of more championship titles with San Corazon. Photo by Susan J. Stickle.

She’s literally been driving across the country for four days, but Morgan Barrows of Monroe, WA, wasn’t going to let a little distance stop her from attending this week’s US Dressage Finals presented by Adequan® where she will join nearly 400 other competitors representing all nine United States Dressage Federation (USDF) regions in head-to-head competition for national titles across 30 different Open and Adult Amateur divisions.

Barrows knew what she was in for when she loaded her partner San Corazon on the trailer, since the pair made the same trek to Lexington, KY, in 2014. Then the pair’s long journey proved worthwhile, as Barrows and Janice Davis’ Oldenburg gelding earned both the Second Level Open and Second Level Freestyle Championships. “We had so much fun two years ago and we did really well, so we definitely wanted to come back,” she explained. “Coming to the Finals was such a great experience for us all the way around. The Kentucky Horse Park is incredible, the people are amazing, and being a part of that atmosphere with athletes from all around the country and meeting new people was really special. Now we’ve successfully moved up to the small tour and hope to go out there and do our best once again. We’ll be hoping to keep him feeling fresh despite the long trip, but he’s such a professional and I anticipate he’ll feel as comfortable with the environment in Kentucky as he was last time.”

Barrows hails from Region 6, which implemented a new travel grant system this year whereby riders who qualified for the Finals could apply for financial assistance. “Our regional director Carolynn Bunch worked to get it started, and it’s really helped us with some of the costs. Every little bit helps,” said Barrows. “I love competing on the national stage, but being from the Northwest it does mean that we have to travel to be able to do that, and having some funding assistance really helps. I think it’s a great idea and I hope it grows both in our region and for other regions around the country.”

Since she is also participating on the Region 6 Team in the Second Annual Regions Cup Team Competition, Barrows will get a chance to show her regional pride (read more and see all regions’ team members here). Each regional team consists of three horse/rider combinations from various levels vying with competitors from across the country for special awards and bragging rights. “I think it’s a great way to show our pride and encourage regional spirit,” Barrows noted. “Interestingly, I don’t even know the other two people on our Region 6 team, so this way we get a chance to meet new people not only from around the country but also from within our own region. And then when a region does well, it can really boost interest and excitement for everyone, and we can show people back home how we proudly represented our region and thank them for supporting us.”

She may not be hitting the road for four days, but it’s still been a long haul to the Finals for Marge Savage of Jacksonville Beach, FL. As she prepares to travel 12 hours from the Atlantic coast to Kentucky for her very first US Dressage Finals experience, it’s a trip Savage wasn’t sure she’d ever get to make. “From the minute USDF announced they were creating the Finals, I thought it was a great idea,” she explained. “It’s always been a goal for me, and several of my friends have been (some of them every single year), and they loved it. I think it’s the top event that adult amateurs like me can reach for.”

After qualifying for the inaugural Finals in 2013, Savage chose to stay home due to health concerns with her Oldenburg mare Willow’s Dream. A year later, Savage underwent rotator cuff surgery, and the day she was given clearance to ride again by her doctor, her beloved mare suffered from a severe colic episode. “She went to the hospital and they had to do surgery and remove nine feet of her colon, and then she developed a heart murmur from the ordeal which she still has to deal with,” Savage explained. “It was a very long road, but we did it and got ‘back in the saddle’, only to finish dead last in our 2015 Regional Championship classes. So I wasn’t sure this was ever going to happen.”

But the tenacious pair never gave up. At this year’s Great American/USDF Region 3 Championship show, they claimed top placings to finally punch their ticket to Kentucky to compete in the First Level Adult Amateur Freestyle Championship. “With everything that we’ve been through, this was the year to do it – I wanted to experience this now in case we never got the chance again,” said Savage. “I don’t think most riders get many opportunities like this, so I’m taking advantage of it. It’s a big honor and I feel so proud to be going. I’m riding in a national championship this weekend – it doesn’t get any better than that!”

Due to the large number of entries this year, championship action begins at the US Dressage Finals on Thursday, November 10 when the first round of national titles will be presented in the Alltech Arena. For a truly unforgettable championship experience, limited VIP seating in the Alltech Arena is still available for purchase (to learn more, click here). For those dressage fans unable to attend the Finals in person, the popular USEF Network will feature live online streaming of select classes from the Alltech Arena on their website, www.usefnetwork.com. Coverage begins Thursday, November 10 at 2pm ET(see the entire live streaming schedule here).

To learn more about the US Dressage Finals presented by Adequan®, download competition information, review entry lists, purchase tickets to special events, and sign up to receive news and updates, visit the official event website at http://www.usdressagefinals.com.

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The 6th Annual Robert Dover/Dressage4Kids HorseMastership Clinic

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Robert Dover and USEF Youth Director Hannah Niebielski Photo: DH

The 6th Annual Robert Dover/Dressage4Kids HorseMastership clinic will be held from December 26 through 30, 2016 at the Global Dressage Festival’s VanKampen arena in Wellington, Florida. This clinic is offering again this year a star-studded line-up of instructors and presenters, from all aspects of the horse industry to show young riders and auditors what it takes to get to the top of the sport. It is an all-inclusive educational week with intense riding instruction as well as lectures from top professionals in the industry on a variety of topics that young professionals will encounter along their journey.

Instructors for this year’s event will include Robert Dover, 6-time Olympian and 2016 USET Bronze Medal Olympic Coach; Debbie McDonald, Olympic and World Cup rider, coach for several of the Olympic, World Cup and WEG riders Michael Barisone, Olympic rider, coach for multiple International riders including 2016 Olympic rider Allison Brock; Allison Brock, 2016 USET Olympic Bronze medal team rider; and last, but certainly not least, George Williams, accomplished International rider and current USEF Youth Coach.Dr. Rick Mitchell - US Team Veterinarian Photo: DH

Presenters for this year’s clinic will include: Dr. Rick Mitchell, USET Team vet for multiple international competitions over many years; Jane Savoie, accomplished rider, trainer, coach, author of the book ‘That Winning Feeling!’ and others; Laura King, life coach to Olympic riders and trainers; Janet Foy, USEF “S” judge, FEI “I” judge, author of the book, “Dressage for the Not So Perfect Horse;” Charlie Tota, owner of “The Dressage Connection” will talk about the Tota Comfort noseband system; Beth Haist, owner of “The Horse of Course” will talk about bits and fitting; Richard Woody, owner of “Woody’s Boot Repair” will talk about proper boot fit for riders; Kate Billing, Master Saddler from Illinois will talk about correct saddle fit for horses and riders with live demonstration horses; Betsy LaBelle, owner of “Dressage Headlines” web news site will give a media demonstration for the participants and auditors.

In addition, participants and auditors will get tours of some local barns, and some fitness coaching from local fitness experts to help with the cross training needed to be a top rider.Robert Dover and Alexander Dawson Photo: DH

This clinic offers USDF University Credit for interested auditors. Auditors of all ages are invited to attend all sessions of this clinic for a fee of $25/day for adults and $10/day for children under 18. All proceeds go to benefit the Dressage4Kids (D4K) foundation and are tax deductible. Donations are gladly accepted!

We want to send a special thank you to all the sponsors who continuously and generously support this clinic by providing financial support for this event! These sponsors include: Mark and Katherine Bellisimo for donating the staff and space for this event; Kim VanKampen and the VanKampen foundation for allowing us to host these events under the VanKampen arena at the Global Dressage Facility; Gold Coast Feed for supplying the bedding; The Dressage Connection and Charlie Tota for donating the saddle pads for the participants; Beth Haist and The Horse of Course for donating clothing; Adam Pollack and the White Fences Equestrian Center for donating clothing for the participants; Michelle Hunt and Show Chic for donating clothing for the participants; Lendon Gray and D4K for funding many of the costs of this clinic.

We are still in need of some housing for some of the participants and a couple horses for a few of the kids to borrow for this week. If you have a sales horse or a spare room and would like to be a part of this event, please contact Annie at 218.349.3452 or email: kodester1@yahoo.com to participate! This is an excellent opportunity to support dressage for young riders and to be able to audit an amazing group of presenters.

All auditors can register at the door and are welcome to attend all sessions that are available for the participants from the fitness to the field trips.

We look forward to seeing you at this amazing educational opportunity!!

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British Grand Prix Rider Louisa-Marcelle Eadie Opens New Training Facility Specializing in Developing Young Horses In the United States

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British Grand Prix Rider Louisa-Marcelle Eadie competed at the CenturyLink Center Omaha, she placed 7th on 13-year-old KWPN gelding Baltazar, aka “Butters” (Idocus x Notaris) owned by Frederike Kurowski Cardello. Photo: SusanJStickle

At Bluebell Farm, located 90 minutes north of Manhattan in Sherman, Connecticut and set in the Housatonic Valley, British born Louisa-Marcelle Eadie, owner of LME Dressage specializes in coaching riders, breaking in young horses to training horses for top level competitions. Accommodating about 15 horses at one time, Louisa’s extraordinary step-by-step training and coaching programs range from superb horse care to achieving accomplished FEI competition standings.

The facility was designed to accommodate babies and young horses, from the special fencing which bends to protect the growing youngster’s head, neck and limbs, to the stabling that is built higher in some places and lower in others for the best social interactions. Bluebell Farm continues to be Louisa’s passion and her dedication, integrity and knowledge are clear through her horses’ and students’ successes. Since Louisa’s beginnings, she has backed well over a 100 youngsters and trained several of those horses to Grand Prix level, and a couple of horses she aquired along the way, she continues to compete for International Grand Prix competition victories.

Her vision for Bluebell Farm has always been to become a base for breeders, trainers, professionals and amateur owner and riders to place their babies and young horses in a quiet home environment to grow and be educated for a strong future in dressage. With her ability to train babies in full forward moving confidence, as a proven top level rider, the young horses eventually gain the necessary strength and confidence to be ridden in a ring with riders and horses, and climb the levels easily step-by-step.

From eight winter seasons working with Anne Gribbons, Louisa acquired the proper in-hand work for teaching the piaffe, Louisa said, “Thanks to Anne who has taught and encouraged my feel with many horses in training in all the high collected movements, but most especially the piaffe and passage. I am very confident and believe in starting to play with these little pieces early on so the horses feel like it's just a game with a lot of treats so they never feel pressured by it. This is something Anne really installed in me and I have successfully gone on to develop a system of my own." Louisa's talents are not only for backing and breaking but her passion to develop horses for the piaffe and passage.Louisa Marcelle-Eadie and Baltazar at the Global Dressage ForumNA test rider for Stephen Clarke Photo: SusanJStickle

Starting before sunrise and finishing after sundown, Louisa coaches her students and will ride an abundance of horses each day, training them all the way up the levels. She also continues to compete, with two horses she’s trained from youngsters in the FEI Grand Prix division during the 2016 Florida winter season and in the 2017 World Cup Test Competition in Omaha, Nebraska.

As part of her vision, Louisa has brought two worlds together, "I'm lucky to live here in the States, but I'm also a true Brit at heart and want to support my country. For some time, I was looking for UK breeders to partner with and over a year ago, I met Sara Longworth who is owner and director of Britain’s Waverly Stud. Besides both our being English, we also have a connection because Sara worked in the States as a high level consultant. I have one of her babies and she and I are looking forward to developing a program over the coming years in developing, training and offering for sale some of her foals and young stock. Our hope is a team prospect that I can take all the way.”

Upbringing and History

Louisa grew up in a small village called Sprotbrough, which is located in South Yorkshire. A small age-old beautiful town centered near an old rectory church built centuries ago, Louisa’s modest childhood with her parents and older sister began with her dreams of becoming a great horsewoman and representing Britain. Despite what seemed back then like an insurmountable mountain to climb, she worked very hard from the beginning.

Between the ages of 7 and 16, she spent most of her time at the local riding school called Edlington Riding Centre, a multi-disciplined riding center that only had an outdoor arena. She worked there so she could pay off the cost of her riding lessons. When she was 11, she began helping to break and train the young horses. By the age of 12, she not only helped to break in the clients’ and centers’ young horses, she was also tasked to help keep the entire stables ‘in-good-order.’

Louisa spent every available moment improving her proficiency in learning the British riding basics that, for instance, a rider’s hands must be 2 inches apart and that a strong core was necessary to achieve perfect symmetry in riding. She advanced up the levels on a favorite Welsh pony that threw her off for fun, until she figured out his tricks. As she grew, she moved from basic riding lessons to climbing the ranks to coaching the younger kids and adults while also hacking out their horses.Louisa-Marcelle Eadie and Grand Prix mount Weltcup Photo: Louisa-Marcelle Eadie

At 16, she moved to a farm and began studying for her British Horse Society (BHS) License and passed all requisite exams. The BHS program, one of the hardest in the world, includes horse care, riding in three disciplines, running a business and riding instruction. “It was very old-school British. I remember we were often corrected with a stiff whip and a smack on the back for slouching if our posture wasn’t straight, even when sitting at a long lunch table. Slouching was not accepted. I learned quite a lot there.”

After turning 17, she began a three-year program with the late British Eventing Coach Kenneth Clawson who succeeded in coaching the British 3-Day Eventing Team to win 21 gold medals at the Olympics and countless other wins, including the Badminton, Burghley, Blenheim Horse Trials, and the World Equestrian Games. Those years, Louisa worked 16-hour days taking care of the stable, doing road work interval training and preparing the world’s best horses for their needed fitness.

At 20, Louisa went on to open her own livery stables close to Leeds in West Yorkshire. Working a marathon and caring for up to 18 horses a day, Louisa made ends meet by working 20 hours days which included a bartending job in the evening to help pay for continuous training and advancement for her knowledge in Dressage. She shared, “I remember one horse threw me off at quite a number of times. I don't think I had one day where one part of my body wasn't in pain. Even through those were years of hardship, my goal and dream of riding for my country have never changed. The hard work and dream is what, to this day, drives me in every way.”

In 2006, Louisa met Anne Gribbons, the 5* FEI Dressage Judge and technical adviser/coach for the USA 2012 Olympic Dressage Team. For eight winter seasons, Louisa trained with as many as 12 horses under Anne’s watchful, talented eyes.

Medals and Success at the FEI Grand Prix LevelsBritish Grand Prix Rider Louisa-Marcelle Eadie competed at the CenturyLink Center Omaha, she placed 7th on 13-year-old KWPN gelding Baltazar, aka “Butters” (Idocus x Notaris) owned by Frederike Kurowski Cardello. Photo: SusanJStickle

Louisa has received USDF Gold and Silver Medals and has numerous wins and placing both regionally, nationally and internationally. She also is an alumni of the Young Dressage Horse Trainer Symposiums offered by the Hasslers for 12 years. Competing in over 40 USEF Grand Prix competitions, she recently placed fifth in the Grand Prix Freestyle at the Global Dressage CDI 3* on her 15 year-old Hanoverian gelding Weltcup (Weltmeyer x Gambler's Cup xx), “I am thrilled with my boy.”

At the recent FEI World Cup Dressage Finals held in the massive entertainment complex, CenturyLink Center Omaha, she placed 7th on 13-year-old KWPN gelding Baltazar, aka “Butters” (Idocus x Notaris) owned by Frederike Kurowski Cardello. “The people involved there were great,” Louisa declared. “At times, the indoor atmosphere did prove to be a bit much and caused some tension in our rides, but overall Butters handled himself well and showed a promising future at this level. I’m so proud and thankful to have been invited to participate in this show and I send congratulations to my fellow competitors and a big thank you to everyone involved.” An excellent spokesperson for athletes, Louisa was also chosen to be the Foreign Delegate and write reports to the FEI noting possible improvements for future World Cup event for March, 2017.

Winters in Wellington, Florida

Louisa teaches clinics outside of Bluebell Farm and also winters in Wellington, Florida during its seasonal three-month competitions where she bases at Korrine Harper-Johnson’s farm in Loxachatchee, just 15 minutes from the Adequan Global Dressage Festival Showgrounds. Korrine owns a lovely quiet farm whose facilities and paddocks can accommodate Louisa’s baby and young horses. While her assistants ensure continuing top-quality care at Bluebell Farm, Louisa nonetheless makes fortnightly trips back to the northeast to continue instruction at clinics there.

While in Florida training horses, Louisa competes most weeks receiving regular coaching from longtime mentor Anne Gribbons, whose indepth knowledge and experience are second to none. Louisa shared, "When Anne is away or judging, Bo Jena and Christophe Theallet are a huge help to me. Dr. Cesar Parra has also been incredibly generous to me, especially warming me up ringside. I'm very thankful for all his support."

Philosophy, Work Ethic and Student Achievements

Louisa’s work principles are extraordinary and learning about horses and how to ride them effectively has always been a priority, even as a young child. She “speaks” their language. Especially significant is that Louisa is able to ‘translate the language of a horse’ to her students, empowering them with the ability to learn further with their own mounts. "I pride myself on the highest standard of care and training horses through a clear method and kindness."

The fit, contented and well-balanced horses in her care reflect Louisa's standard of excellence. And, the performance of her students in the dressage ring attests to her success in conveying to them the principles of correct, classical dressage. A testament to Louisa’s techniques is that many of her students stay with her for years and have won, placed and qualified in regional and national championships, many earning USDF medals.

Louisa oversees her stables meticulously. With no stones unturned in setting goals and accomplishments for every horse, lives it!

Ready to accept new clients, Louisa looks forward to your reaching out to her for discussing training needs, goals, young horse needs and care.

She is available for clinics and will travel anywhere in the U.S. and the U.K. to coach riders.

Contact Info: 

Email - louisaeadie@hotmail.com

Phone - 203-606-5954

Website - http://www.lmedressage.com

LME DRESSAGE Facebook page - https://www.facebook.com/LME-Dressage-179538192079450

Babies and relaxing in the sun at Bluebell Farm

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The 2017 Adequan® Global Dressage Festival - Building a Community with Success

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Dressage athletes eagerly prepare for the 2017 Adequan® Global Dressage Festival (AGDF) annual winter competitions taking place on South Shore Boulevard in Wellington, Florida. The upcoming season will showcase rider and horse combinations as they demonstrate their steady training progress, reinforce their confidence, set their footing for their federation’s national qualifying specifications and prepare for April's World Cup and the summer US and European competitions. The series gives the athletes an opportunity for feedback from the judges, their colleagues, peers, and support system throughout the twelve weeks. 

The inaugural year of 2012, the AGDF brought a few 70% scores in the Grand Prix arena and now the scores are way up into the high 75% with a few 80%. Riders keep climbing the FEI World Dressage Ranking List in more numbers. Every year the participants continue to become more and more skilled in the balance of movements in their different horses’ biomechanics through the evaluations of the FEI Dressage Judges. 

The twelve-week series is also a valuable opportunity for riders to communicate with one another. The increasing camaraderie among the riders and glimpses into their horse development training systems continues to be evident with strategies for the FEI arena and general goodwill towards each other. The chance for that positive feedback in understanding the pressures, the nerves of the horse and the life-long work in training proves an invaluable treasure to each of the competitors as they hope to climb to reach scores of 80%.Mikala Gundersen and My Lady owned by Janne Rumbough Photo: DH

The public is openly invited to watch the riders and many are slowly becoming long-term fans of the sport. The top athletes willingly speak in great detail about the Grand Prix taking three-to-five years of training a horse. Explanations of training systems and stories of overcoming struggles abound; there is no secrecy among competitors. Mutual respect and support flourishes.

Following each Grand Prix test at the seven CDI competitions, the top three riders attend a press conference where they openly share their training techniques, focus and goals to a group of journalists. All the riders do have their own training systems that they hope will succeed in front of the five FEI Judges. 

How the ADGF was Created

A devotee to the sport of Dressage, Mark Bellissimo of Equestrian Sport Productions, LLC led the way by gathering more than seven benefactors comprised of a group of families, farms and businesses to sponsor the CDI international competitions including title sponsor Adequan®. In 2012, Bellissimo built the renowned, world class dressage facility.Mark Bellissimo is being interviewed at the ADGF showgrounds Photo: DH

"The growth that we have seen at the Adequan® Global Dressage Festival since its inception has been tremendous and serves as a true indicator of growth and expansion of the sport not only in the U.S., but around the world," said Mark Bellissimo, managing partner of Wellington Equestrian Parters (WEP) and CEO of Equestrian Sport Productions. "We're looking forward to an exciting 2017 season and we will continue to provide opportunities for competitors and spectators to enjoy the best of equestrian sport during the winter months in Wellington." 

The Adequan® Global Dressage Festival encompasses almost 60 acres and includes a covered arena, four outdoor arenas known as the Wellington Equestrian Realty Arenas with world class footing, 250 permanent stalls and a VIP seating area that is fully catered for relaxing and having an enjoyable experience. It has become one of the world's largest national and international dressage series competition circuits. And in the works for 2018, the series will have a new facility to meet the growth in numbers of horses and riders.

AGDF Competitions

The AGDF features seven FEI events, including a CDI5*, a CDI 4*, CDIO Nations Cup, and many CDI-W 3*, 12 weeks of U.S. national events and seven weeks of FEI international CDI competitions.Canada's Christilot Boylen waves hello to fans at ADGF Photo: DH


The CDIs consist of five levels, the Grand Prix (Large Tour), the Prix St George/Intermediaire I (Small Tour), the Youth Divisions (U25 Grand Prix, Young Rider Division, Junior Division and Pony Division) and the Adult Amateur Division (Intermediaire II and Small Tour). There are national level tests in the National Competition rings (Wellington Equestrian Realty Arenas).

Each of the seven CDIs include a theme from its sponsorship organization. Often the weeks are full of evening demonstrations, dinners, get-togethers, day symposiums and group discussions. There are also all-inclusive clinics in which to learn, including the Robert Dover/ Dressage4Kids HorseMastership Week starting in December.

The Greatness of the Annual AGDF Series

The Adequan® Global Dressage Festival offers more than $800,000 in prize money and awards for the eight international competitions, making it one of the richest circuits in the world.Last year's beginning of the season press conference Photo: DH

It is a place of treasure where riders are made to feel comfortable in high pressure, competitive situations. Every facet of the Festival series is kind and friendly to the athlete, from the horse inspection to the warm-up rings, to the wonderful stewards who look after the welfare of the horses and prepare the athletes for the awards ceremonies and press conferences. The dedication and acceptance in bringing top level international sport to Wellington will ensure that this sport will grow and evolve for many years to come.

The success of the event would not be possible without a team of supportive sponsors who continue to contribute to the enormous growth of the sport. Their dedication and faith ensure that this venue and event continues to encourage many riders, owners and coaches to train their horses up the levels for great futures. 

Dates for 2017 Adequan® Global Dressage Festival:

Jan. 11-15 – Wellington, Fla. – CDI-W, CDI1*, CDIAm, CDICh-A, CDIJ, CDIP, CDIU25, CDIY, CDIYH
Jan. 19-22 – Wellington, Fla. – CDI2*, CDI1*, CDIAm, CDIJ, CDIP, CDIU25, CDIY, CDIYH
Jan. 25-29 – Wellington, Fla. – CDI-W, CDI1*, CDIAm, CDICh-A, CDIJ, CDIP, CDIU25, CDIY, CDIYH
Feb. 8-12 – Wellington, Fla. – CDI5*, CDI3*, CDI1*, CDIAm, CDICh-A, CDIJ, CDIP, CDIU25, CDIY, CDIYH
Feb. 22-26 – Wellington, Fla. – CDI-W, CDI1*, CDIAm, CDICh-A, CDIJ, CDIP, CDIU25, CDIY, CDIYH
Mar. 1-5 – Wellington, Fla. – CDI-W, CDI1*, CDIAm, CDICh-A, CDIJ, CDIP, CDIU25, CDIY, CDIYH
Mar 15-19 – Wellington, Fla. – CDI4*, CDI3*, CDI1*, CDIAm, CDICh-A, CDIJ, CDIP, CDIU25, CDIY, CDIYH
Mar. 21-26 – Wellington, Fla. – CDIO3*-NC, CDI1*, CDI3*, CDIAm, CDICh, CDIJ, CDIP, CDIU25, CDIY, CDIYH

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The 2017 Adequan®/USDF FEI-Level Trainers Conference

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USDF Trainers Conference in 2014 Photo: DH

The United States Dressage Federation announced a unique educational opportunity for judges and FEI trainers will be offered at the 2017 Adequan®/USDF FEI-Level Trainers Conference! In 2017, the USEF Judges Forum will be held in conjunction with the trainers conference. This unique event will give judges and FEI trainers the opportunity to interact, share ideas, and gain a unique perspective of the challenges faced by each, both in and out of the competition arena.

This year's conference will be held January 16-17, 2017 at Mary Anne McPhail's High Meadow Farm in Loxahatchee, FL. The panel of presenters for the conference will be Lilo Fore and Hans-Christian Matthiesen. The judge's forum, with Lilo Fore, will include an additional day of classroom work on January 15.

Lilo Fore is an FEI 5* and Para 3* Judge, a USEF 'S' and DSHB 'R' judge. Fore is a founder USDF Instructor/Trainer Program, current Chair of the USDF Instructor/Trainer Program Committee, and member of the USEF Dressage Committee. A highly respected and sought after international judge and clinician, Fore is being honored with the Sonoma County Horse Council's Equus Award, for her role in increasing the quality of dressage training and horses to an international level.

Hans-Christian Matthiesen is an FEI 5* Judge, a member of the FEI Dressage Committee, and was a driving force behind the inaugural Seven-Year-Old Championship that was held during the 2016 World Championships for Young Dressage Horses. A veterinarian by profession, Matthiesen has been a member of the Danish Equestrian Federation's Board of Directors, chair of the Danish selection committee, Team Captain for the Danish Junior and Young Riders team, and was the recipient of the 2015 Lis Hartel Memorial Prize for his dedication to the sport of dressage.The USDF Trainer's Conference in 2015 Photo: DH

"I am excited about this year's format. It is going to be an incredible opportunity to see and hear the different perspectives, training methods, and approach towards coaching of two FEI 5* judges, from different continents. They bring their experience and knowledge as trainers and coaches, and even the perspective of a veterinarian to the table. In addition, it marks what I view as a significant milestone for USDF. For the first time, we are partnering with USEF to have this conference be part of their judges education program," stated George Williams, USDF President.

USEF Dressage Committee chair Jayne Ayers, and co-chair Lisa Gorretta, added, "we are very excited about this ground breaking event. The partnering of these two organizations will be the first time our licensed 'r', 'R', and 'S' judges will have the opportunity for continuing education that includes dialog with our FEI trainers. The performance and training challenges of each demonstration horse will be looked at from both points of view, so insight into the whole picture can be expanded for all."

The conference is in part sponsored by Gardy Bloemers, Wealth Management Advisor, The GB Group, Merrill Lynch, Pierce, Fenner & Smith Inc.

For more information on the Adequan®/USDF FEI-Level Trainers Conference, including criteria for attendance, please contact the USDF office at trainersconference@usdf.org, or by phone at (859) 971-2277.

For information on the USEF Judges Forum, please contact Chuck Walker in the USEF office at cwalker@usef.org, or by phone at (859) 225-6970.

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Carla Symader passes along her Mentorship

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Carla Symader and Natalie Pai with Fritz San Tino

Longtime German dressage coach Carla Symader brings her esteemed reputation to the United States by imparting several principles, including the point of gravity from the rider’s seat and the rider’s position. Carla developed her expertise through competing many horses between 1970 and 2005 and trained with such luminaries as George Theodorescu (participant at Olympic games and father and trainer to Monica Theodorescu who was a participant in the 1996 Olympic games and current German Team Coach), Jean Bemelmans (former head trainer of the Spanish Olympic team) and Ton de Ridder (trainer of his wife Alexandra Simons-de Ridder, 2000 Olympic participant for Germany in Sydney).

Wisdoms learned for over 40 years as a rider, judge and mentor to some of the most skilled riders in the sport, she shares, “Growth takes place for the rider who builds a strong foundation by not skipping steps along the way in the training of their horse. Once a rider has a foundation as a rider and the foundation built in each horse, real growth takes place.”

Carla’s first precedence in coaching and training any rider is giving every horse the trusting knowledge that the door is open to go forward. “The horse has to know he has a place to go, in any circumstance, especially if it’s afraid. That trust is of utmost importance and there’s a way to be positive all the way up the levels.” She acknowledges, “It takes hard work and concentration by the rider to be alert and ready to progress in a forward thinking way, always forward with the horse in front of the rider's legs.”Kevin Kohmann riding Freistaat B

Down to earth and readily approachable, Carla travels to the U.S. from Germany several times a year to coach clinics and she acts as a supportive sounding board for the very talented Pai team (Canaan Ranch), including Melanie and Natalie Pai, the highly skilled coach/rider Kevin Kohmann and King Santacruz, and world-class groom Emilija Anderson.

The Point of Gravity

The rider’s seat is the point of gravity, the point where the horse finds its balance while moving forward. “The positioning of the rider’s body in the seat is paramount in knowing how to coordinate working with the seat,” Carla explained.

She spoke about locating the point of gravity, “In order to sit well, you must sit deep in front of the saddle, upright and pulling your head and neck upward so that your core muscles are ready to balance the horse’s gaits through transitions. When the seat is closed, it means that your elbows stay at your hips, admittedly a difficult habit to form, your hands move toward the mouth and legs are even and not too far back. By sitting up straight and feeling how the horse shifts you, you’ll become aware of the patterns you and your horse have developed.”King Santacruz and Divinity CR

She added, “Even In the bend of the horse, whether a corner or small circle, shoulder-in, travers or half-pass, riders have to be aware that they sit on the correct inside seat bone. The horse will often position a rider to the outside seat bone, especially on its stiffer side. The rider needs to be aware and work the horse off their inside leg in order to keep the inside seat bone in the bend, making sure the horse truly is bending. While a horse may have a small temper tantrum or resist by speeding up or slowing down when shifted into the correct position, the rider still has to hold the horse quietly accountable to that inside seat bone.”

Acknowledging that there are bending lines and straight lines Carla said, "You have to make yourself aware to stay even between both of your seat bones on the straightaways and on the inside seat bone in the bending lines.” 

Judicious Wisdoms

Carla teaches continuous rider brain-to-body connection in understanding the horse’s movement, from straightness to bending. In other words, the rider’s body, especially as far as the rider’s seat and posture is concerned must continually be in sync with a horse’s movements. “It’s crucial to make sure rider position is correct in relation to the changing motion of the horse.”Kevin Kohmann riding Freistaat B

“The goal is to learn how to ride moment-to-moment, what is happening right now. The human brain has to quiet down to a fine point and then pull apart the large mechanical puzzle with that horse at that moment of its fitness and strength. It’s really a special sport because it really teaches a person how to be quiet, how to work well with a horse, and how body control balances big movement. And basically, it’s fun!”

She stresses, “It’s also important to the mindset of the rider to always go back again and again to ensure a step-by-step order to things that builds confidence for the stepping stones ahead."

“When you buy a horse with big gaits, you have to be sure you can manage the big gaits. For instance, developing a ground-covering, clear, and easy off-the-seat canter takes quite a lot of time to develop."

"Any professional rider knows each new horse has to start the thinking anew. A beginning rider buying a new schoolmaster needs to spend quite a lot of time going back to the basics, step-by-step. There builds the necessary confidence needed for both rider and horse, and success in the show ring.” 

More about Carla Symader

Born in Münster, Germany, Carla Symader ascended through the levels in the heart of dressage competition while studying to achieve her Abitur. She established a facility and for more than 25 years Carla has been a member of one of the oldest German riding associations, Deutsche Richtervereinigung and the Deutsche Reiter- und Fahrerverband. Natalie Pai and Fritz San Tino

She belongs to a very small group of people who trained horses, coached both horses and riders to the Grand Prix level as well as the internationally level, and judged riders in the top of the sport.

Carla possesses clear analysis and understanding in the biomechanical breakdown for each type of horse, such as those which are hot or sensitive (the “going” type) and the “lazy” ones. 

If you have any questions, do not hesitate to contact Carla Symader at Symader@web.de

Natalie Pai and Fritz San Tino

Emilija Anderson, King Santacruz and Fuerstin Tina CR

 

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Karin Persson Coaches Young Riders in a Solid Consistent Long-Term Program for Great Futures

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Karin Persson and Amelia Devine and Perazzi an 11 years-old gelding (Prince Thatch x Donnerhall) Photo: DH

Swedish Rider and Coach, Karin Persson builds a strong program for youth riders by keeping it simple and consistent. Karin’s passion as a coach continues to grow. A devoted and appreciated trainer of young riders as she deliberately goes back to the basics every day in her classic trainings, she shared, “The basics are everything, so I teach my students to be patient with the training. They have to be eager, yes, and they also have to be patient.”

She makes the complications in each horse simple for the rider by letting the rider work through the horse’s subtle changes as it moves forward. She consistently encourages her riders to concentrate on the rhythm of the horse most importantly, that the horse is in front of the leg controlled by the rider’s seat and that the hand connection is soft with elbows staying alongside the body of the rider. 

Training out of the beautiful facility, Jewel Court Stud during the winter months, only a couple of farms away from the Adequan®Global Dressage Festival showgrounds, Karin shared how she learned to not give riders too many instructions all at once, “That’s the way I am, if I get too much information, I cannot process all of it. The horses are complicated enough for the rider to figure out. I try to keep it as simple as possible so they have the opportunity to work out the necessary adjustment during the moment.”

While training at home and not at a competition Karin said, “I work a lot on the basics. It may be boring, but before they do the tricks they have to work to keep the horse in front of the leg and on the bit. I really want them to learn how to feel the hind legs to the hand, to sit up in a good rider position, to really understand the rhythm and how to regulate that rhythm well.  They really have to learn with the seat and how to connect with the hind legs. That is number one to get that strong seat.”

“In America my young riders have so much pressure on their schoolwork. They don’t get to watch horses go day after day. I have learned how to create a program that fully gives them the best that they have in those couple of hours. It’s a work in progress. I make sure they spend as much time as possible with their horses because they have to connect with them. That is the most important thing. When they connect with the horse that is when the horse is going to do the most for them. At the shows, I do not let them have grooms. They really have the time to spend with their horses. That is a big thing for me. Sometimes it’s not possible due to too many horses, but overall they have to do all the work themselves.”Asia Ondatjee Rupert is a 16 years-old riding Firmamento an 10-year-old gelding (Don Crusador x Raphael) Photo: DH

Karin spent many years learning in Sweden under Olympic medalist Louise Nathhorst where she grew up, near Stockholm. She spent many years in the business of caring for and training young horses from the beginning up the levels.  She coached a Pony Division rider and Junior Division riders to qualify for the European Young Rider Championships and the Nordic/Baltic Championships before moving to the USA. “I love working with young people and applying many skills from my own background,” she professes. “I also love training the ponies and because I’m not super big, so I can also ride the ponies for my students. I’ve come to think that it’s a pity the pony sport is not bigger in the United States than it is.”

Karin's philosophy includes creating clear lines of communication with the horse through an effective approach in keeping the exercises simple so the horse has complete and thorough understanding. “It’s really important to teach my students the correct contact and positions through the many transitions to get the horse from behind in their riding. ” Always working to make sure the horse stays forward, not falling behind the rider’s aids, she said, “One of the main things I teach them is showing them that a horse has to stay in front of their legs. It’s really a big thing for me and I stress that importance to my students because then they’ll be able to find the right balance.”

Amelia Devine is a 15-years-old who rides Perazzi an 11 years-old gelding (Prince Thatch x Donnerhall) and 2016 was her first year in the Junior Division level. The pair scored in the 70%s in Saugerties and Devon this fall and won all the classes they entered. Amelia started with Karin as a novice in dressage three years ago and is on her way to being a top Junior rider for the USA.Amelia Devine is a 15-years-old who rides Perazzi an 11 years-old gelding (Prince Thatch x Donnerhall) Photo: DH

 Amelia has been accepted into the Robert Dover/Dressage4Kids HorseMastership Clinic. Asia participated last year.   

Asia Ondatjee Rupert is a 16 years-old riding Firmamento an 10-year-old gelding (Don Crusador x Raphael). She has been in the Junior division for two years with two different horses, Last year Asia rode Twelfth Night in the Juniors Division at the International Florida Youth Dressage Championships placing 4th overall, at the North American Junior/Young Rider Championships (NAJRC) and the Dutta/USEF Festival of Champions. This year, Asia and 9-year-old Hanoverian gelding Firmamento placed 4th overall at the International Florida Youth Championships. Both Ameilia and Asia are unbeaten in 2016 at the Northeast CDI competitions in the Junior Division.

Since moving to the states in 2013, Karin has been on a steady incline in achievement. She successfully captured the win in the 5-Year-Old Test at Dressage at Devon 2016 with her Dutch Warmblood, Giuliano B (Bon Bravour x Elcaro), with a score of 82.0 and 85.4 the second day. The pair placed second at the Markel/USEF Young and Developing Horse National Championships in August near Chicago. Not only a great coach for young riders, Karin Persson rises up the levels step by step with success for a strong consistent future.

Contact Info:

Stonebridge Sport Horses LLC

Summer Address: 263 Bedford Banksville Rd., Bedford, New York 10507

Winter Address: 13155 Southfields Rd., Wellington, FL 33414

Karin Persson

WEBSITE:  http://www.stonebridgesporthorses.com/

EMAIL : kpdressyr@gmail.com

PHONE NUMBER : 914-217-6944

Stonebridge Sport Horses LLC – Facebook Page - https://www.facebook.com/Stonebridge-Sport-Horses-LLC-404303116373904/?notif_t=fbpage_fan_invite&notif_id=1466725436021128

 

Amelia Devine is a 15-years-old who rides Perazzi an 11 years-old gelding (Prince Thatch x Donnerhall) Photo: DH

Asia Ondatjee Rupert is a 16 years-old riding Firmamento an 10-year-old gelding (Don Crusador x Raphael) Photo: DH

Karin Persson and Asia Ondatjee Rupert and Firmamento an 10-year-old gelding (Don Crusador x Raphael)

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Robert Dover/Dressage4Kids HorseMastership Week Media Press Conference PowerPoint Presentation

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During the 2016 Robert Dover/D4K HorseMastership Week of December 26-30, I gave a PowerPoint presentation on Media and the Press Conference. A special thank you must be given to Lendon Gray and Robert Dover for the motivation to improve opportunities for USA's up-and-coming riders one at a time. Here lay my narrative for the presentation for your enjoyment. 

In 2012, the inaugural year of the Adequan® Global Dressage Festival (AGDF), there was no system or designated area for press conferences. Some took place in a small tent, others in the show office and few even at the bleachers. The excitement that first year concentrated on the facility with questions from the press focusing on how the horses liked and adapted to the footing and stabling.

The second year of the AGDF was different. This time, I covered the Festival as a freelance photojournalist writing for Dressage Today, Dressage Daily and later for my own Dressage Headlines website. And, the AGDF set up a specific press area with a functional table, sponsor backboard, microphone and speakers, making it more comfortable and convenient for press to concentrate and use more diversity in their questions.Mikala Gundersen and My Lady owned by Janne Rumbough Photo: DH

For the past five AGDF Florida winter season competitions, though the press have varied agendas, the sport is, indeed, strongly competitive in all aspects by its very nature, but we are all nonetheless here to support each other, help to improve the sport and ourselves, and promote the dressage community in the best light possible.

What is a Press Conference?

Led by the horse show press officer or appointed press liaison, press conferences are gatherings organized for the purpose to provide information by answering questions from reporters. It is an effective way for members of the media to get quotes and information for inclusion in their articles.

Usually taking place in a designated area and occurring right after an awards ceremony and victory gallop for the class competition, a press conference is a sit-down event taking around a half hour or more depending on the number of people in attendance and the volume of questions asked by media representatives.

What does Media Do?

Different media resources who attend a press conference include internet writers, print writers and photographers. There are different types of reporters.Photographers, Media and Press Photo: DH

They include sports reporters for instant news or for later articles, business journalists (public relations writers), investigative reporters and presentation reporters. Many reporters cross over into more than one type depending on the entity for which or person for whom they are working. There are also citizen journalists who include experts within the sport who do not make writing their vocation or career.

Reporters, also known as “journalists,” keep the public informed about important happenings at events. They are responsible for gathering and writing about the news as it happens and posting the information online that day or the next day. Many editors may put pressure on reporters to cover national and/or international events, and be the first with the story or to find a new angle. However, local reporters do not face the same time pressures, particularly when working for weekly publications.

The Intentions of a Dressage Press Conference

It is important that information about the sport is shared with the public, a place and time to gather information about a rider’s history, the care and training of a horse and about those who have contributed to the success achieved. Members of the press are there to create well-written articles promoting their publications and their sponsors, and to gain more readers.

What Dressage Reporters Are Looking For

Professional reporters are looking for their interviewees to be genuine. They want to know facts and how to incorporate quotes into informative material. 2016 Nations Cup Photo: DH

The press understand that dressage translates to ‘training,’ that it takes at least 5 years of training to successfully compete at the Grand Prix level, and that CDIs are an assessment of the current training program with 5 judges’ evaluations and opinions on how to move forward.

Reporters want to know about the training, performance in front of judges, the strategies used, how a horse’s confidence was fostered, what movements were correct and which still need work, and the rider’s future strategies. They want to know what a rider experienced in that arena to achieve the high score that led to be among the three top riders in that day’s competition.

How an Interviewee Appears Confident at a Press Conference

A press conference is an opportunity for riders to promote themselves and their horses. The best way for a person being interviewed to minimize intimidation and nervousness is to have a brief practiced speech ready that covers three points about one’s experience at the show and three people to thank.2016 Nations Cup Photo: DH

Even if a particular question cannot be answered thoroughly, it is more important that the interviewee feel comfortable when replying. In the case of a question stumping the person being interviewed, a pause and a sip of water is helpful to formulating a response.

Social Media Etiquette - Citizen Journalism

Social media, which include Facebook, Twitter, Instagram and other forums are great ways to illustrate your image by connecting with local and larger communities. Posts should be brief, interesting and include photos. They can also include your successes and travels. Although it is common to give opinions, it is important they be kind, complimentary, upbeat, respectful and positive. It may lead to a job or opportunity one day.

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British Grand Prix Rider Louisa-Marcelle Eadie Opens New Training Facility Specializing in Developing Young Horses In the United States

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British Grand Prix Rider Louisa-Marcelle Eadie competed at the CenturyLink Center Omaha, she placed 7th on 13-year-old KWPN gelding Baltazar, aka “Butters” (Idocus x Notaris) owned by Frederike Kurowski Cardello. Photo: SusanJStickle

At Bluebell Farm, located 90 minutes north of Manhattan in Sherman, Connecticut and set in the Housatonic Valley, British born Louisa-Marcelle Eadie, owner of LME Dressage specializes in coaching riders, breaking in young horses to training horses for top level competitions. Accommodating about 15 horses at one time, Louisa’s extraordinary step-by-step training and coaching programs range from superb horse care to achieving accomplished FEI competition standings.

The facility was designed to accommodate babies and young horses, from the special fencing which bends to protect the growing youngster’s head, neck and limbs, to the stabling that is built higher in some places and lower in others for the best social interactions. Bluebell Farm continues to be Louisa’s passion and her dedication, integrity and knowledge are clear through her horses’ and students’ successes. Since Louisa’s beginnings, she has backed well over a 100 youngsters and trained several of those horses to Grand Prix level, and a couple of horses she aquired along the way, she continues to compete for International Grand Prix competition victories.

Her vision for Bluebell Farm has always been to become a base for breeders, trainers, professionals and amateur owner and riders to place their babies and young horses in a quiet home environment to grow and be educated for a strong future in dressage. With her ability to train babies in full forward moving confidence, as a proven top level rider, the young horses eventually gain the necessary strength and confidence to be ridden in a ring with riders and horses, and climb the levels easily step-by-step.

From eight winter seasons working with Anne Gribbons, Louisa acquired the proper in-hand work for teaching the piaffe, Louisa said, “Thanks to Anne who has taught and encouraged my feel with many horses in training in all the high collected movements, but most especially the piaffe and passage. I am very confident and believe in starting to play with these little pieces early on so the horses feel like it's just a game with a lot of treats so they never feel pressured by it. This is something Anne really installed in me and I have successfully gone on to develop a system of my own." Louisa's talents are not only for backing and breaking but her passion to develop horses for the piaffe and passage.Louisa Marcelle-Eadie and Baltazar at the Global Dressage ForumNA test rider for Stephen Clarke Photo: SusanJStickle

Starting before sunrise and finishing after sundown, Louisa coaches her students and will ride an abundance of horses each day, training them all the way up the levels. She also continues to compete, with two horses she’s trained from youngsters in the FEI Grand Prix division during the 2016 Florida winter season and in the 2017 World Cup Test Competition in Omaha, Nebraska.

As part of her vision, Louisa has brought two worlds together, "I'm lucky to live here in the States, but I'm also a true Brit at heart and want to support my country. For some time, I was looking for UK breeders to partner with and over a year ago, I met Sara Longworth who is owner and director of Britain’s Waverly Stud. Besides both our being English, we also have a connection because Sara worked in the States as a high level consultant. I have one of her babies and she and I are looking forward to developing a program over the coming years in developing, training and offering for sale some of her foals and young stock. Our hope is a team prospect that I can take all the way.”

Upbringing and History

Louisa grew up in a small village called Sprotbrough, which is located in South Yorkshire. A small age-old beautiful town centered near an old rectory church built centuries ago, Louisa’s modest childhood with her parents and older sister began with her dreams of becoming a great horsewoman and representing Britain. Despite what seemed back then like an insurmountable mountain to climb, she worked very hard from the beginning.

Between the ages of 7 and 16, she spent most of her time at the local riding school called Edlington Riding Centre, a multi-disciplined riding center that only had an outdoor arena. She worked there so she could pay off the cost of her riding lessons. When she was 11, she began helping to break and train the young horses. By the age of 12, she not only helped to break in the clients’ and centers’ young horses, she was also tasked to help keep the entire stables ‘in-good-order.’

Louisa spent every available moment improving her proficiency in learning the British riding basics that, for instance, a rider’s hands must be 2 inches apart and that a strong core was necessary to achieve perfect symmetry in riding. She advanced up the levels on a favorite Welsh pony that threw her off for fun, until she figured out his tricks. As she grew, she moved from basic riding lessons to climbing the ranks to coaching the younger kids and adults while also hacking out their horses.Louisa-Marcelle Eadie and Grand Prix mount Weltcup Photo: Louisa-Marcelle Eadie

At 16, she moved to a farm and began studying for her British Horse Society (BHS) License and passed all requisite exams. The BHS program, one of the hardest in the world, includes horse care, riding in three disciplines, running a business and riding instruction. “It was very old-school British. I remember we were often corrected with a stiff whip and a smack on the back for slouching if our posture wasn’t straight, even when sitting at a long lunch table. Slouching was not accepted. I learned quite a lot there.”

After turning 17, she began a three-year program with the late British Eventing Coach Kenneth Clawson who succeeded in coaching the British 3-Day Eventing Team to win 21 gold medals at the Olympics and countless other wins, including the Badminton, Burghley, Blenheim Horse Trials, and the World Equestrian Games. Those years, Louisa worked 16-hour days taking care of the stable, doing road work interval training and preparing the world’s best horses for their needed fitness.

At 20, Louisa went on to open her own livery stables close to Leeds in West Yorkshire. Working a marathon and caring for up to 18 horses a day, Louisa made ends meet by working 20 hours days which included a bartending job in the evening to help pay for continuous training and advancement for her knowledge in Dressage. She shared, “I remember one horse threw me off at quite a number of times. I don't think I had one day where one part of my body wasn't in pain. Even through those were years of hardship, my goal and dream of riding for my country have never changed. The hard work and dream is what, to this day, drives me in every way.”

In 2006, Louisa met Anne Gribbons, the 5* FEI Dressage Judge and technical adviser/coach for the USA 2012 Olympic Dressage Team. For eight winter seasons, Louisa trained with as many as 12 horses under Anne’s watchful, talented eyes.

Medals and Success at the FEI Grand Prix LevelsBritish Grand Prix Rider Louisa-Marcelle Eadie competed at the CenturyLink Center Omaha, she placed 7th on 13-year-old KWPN gelding Baltazar, aka “Butters” (Idocus x Notaris) owned by Frederike Kurowski Cardello. Photo: SusanJStickle

Louisa has received USDF Gold and Silver Medals and has numerous wins and placing both regionally, nationally and internationally. She also is an alumni of the Young Dressage Horse Trainer Symposiums offered by the Hasslers for 12 years. Competing in over 40 USEF Grand Prix competitions, she recently placed fifth in the Grand Prix Freestyle at the Global Dressage CDI 3* on her 15 year-old Hanoverian gelding Weltcup (Weltmeyer x Gambler's Cup xx), “I am thrilled with my boy.”

At the recent FEI World Cup Dressage Finals held in the massive entertainment complex, CenturyLink Center Omaha, she placed 7th on 13-year-old KWPN gelding Baltazar, aka “Butters” (Idocus x Notaris) owned by Frederike Kurowski Cardello. “The people involved there were great,” Louisa declared. “At times, the indoor atmosphere did prove to be a bit much and caused some tension in our rides, but overall Butters handled himself well and showed a promising future at this level. I’m so proud and thankful to have been invited to participate in this show and I send congratulations to my fellow competitors and a big thank you to everyone involved.” An excellent spokesperson for athletes, Louisa was also chosen to be the Foreign Delegate and write reports to the FEI noting possible improvements for future World Cup event for March, 2017.

Winters in Wellington, Florida

Louisa teaches clinics outside of Bluebell Farm and also winters in Wellington, Florida during its seasonal three-month competitions where she bases at Korrine Harper-Johnson’s farm in Loxachatchee, just 15 minutes from the Adequan Global Dressage Festival Showgrounds. Korrine owns a lovely quiet farm whose facilities and paddocks can accommodate Louisa’s baby and young horses. While her assistants ensure continuing top-quality care at Bluebell Farm, Louisa nonetheless makes fortnightly trips back to the northeast to continue instruction at clinics there.

While in Florida training horses, Louisa competes most weeks receiving regular coaching from longtime mentor Anne Gribbons, whose indepth knowledge and experience are second to none. Louisa shared, "When Anne is away or judging, Bo Jena and Christophe Theallet are a huge help to me. Dr. Cesar Parra has also been incredibly generous to me, especially warming me up ringside. I'm very thankful for all his support."

Philosophy, Work Ethic and Student Achievements

Louisa’s work principles are extraordinary and learning about horses and how to ride them effectively has always been a priority, even as a young child. She “speaks” their language. Especially significant is that Louisa is able to ‘translate the language of a horse’ to her students, empowering them with the ability to learn further with their own mounts. "I pride myself on the highest standard of care and training horses through a clear method and kindness."

The fit, contented and well-balanced horses in her care reflect Louisa's standard of excellence. And, the performance of her students in the dressage ring attests to her success in conveying to them the principles of correct, classical dressage. A testament to Louisa’s techniques is that many of her students stay with her for years and have won, placed and qualified in regional and national championships, many earning USDF medals.

Louisa oversees her stables meticulously. With no stones unturned in setting goals and accomplishments for every horse, lives it!

Ready to accept new clients, Louisa looks forward to your reaching out to her for discussing training needs, goals, young horse needs and care.

She is available for clinics and will travel anywhere in the U.S. and the U.K. to coach riders.

Contact Info: 

Email - louisaeadie@hotmail.com

Phone - 203-606-5954

Website - http://www.lmedressage.com

LME DRESSAGE Facebook page - https://www.facebook.com/LME-Dressage-179538192079450

Babies and relaxing in the sun at Bluebell Farm

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FEI 5* Dressage Judge Katrina Wüst Shares Arena Perspectives on Dressage Scoring

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Katrina Wüst at M at the Adequan Global Dressage Festival

Sitting with prominent worldwide FEI*5 Judge Katrina Wüst at M and then at B on January 12th, the very first day of the 2017 Adequan® Global Dressage Festival series, I learned that sitting with a dressage judge proved enlightening. Understanding the biomechanical aspects of a performance in the high performance competition arena takes the judges thousands of hours of careful study in honing their craft. They travel the world, spend their days sitting in booths judging, often discussing their observations with one another and the riders themselves. Being a judge is not merely a calling, it is a lifestyle. The question is, are we really utilizing the judges in order to learn and improve or are we unknowingly dismissing them because we do not want to take the time to understand?

Seeing the class through her set of eyes I learned that often ‘I really don’t know what it is I don’t know.’ Until mentored by such an expert in the field, I can only assume I know the correct mark for every movement. Until her judging skills pointed out the missing basics within the intricate maneuver, then I could open my eyes to see the biomechanical strength or weakness in the different athletes’ performances and further my education.

Wüst candidly shared how she arrives at the scores from the different points of view. “Judging a rider and horse is different from, let’s say, judging an ice skater. With ice skaters, the judges can line up together to score because a vertical, two-legged performer’s executions will look the same from any point around an arena. A horse on the other hand is a rectangular figure that might look different from all directions. That's why it is so important that we sit around the arena." She gave a specific example, “A half-pass looks totally different from the front than from the side. From the front, a judge can see if the horse is tilted or not bent enough whereas on the long side the judge will have a completely different view, maybe that the horse is short in the neck, making the marks vary in a certain range.”

She revealed a preference for sitting in a specific area, “I particularly like judging from the long side because it’s the same view as the spectators, the public. We’re at the same angle. I can judge a lot more from there; from the quality of the paces to the tightness or good shape of the neck.”

Indeed, each judge’s view affects the scoring of a performance. For instance, if a shoulder-in is shown on four instead of three tracks (as the FEI Rules clearly state) perhaps only one judge can see this error; other judges might see the cadence and self-carriage. “Even if it looked brilliant,” Wüst explained, “and I was the only one who saw the shoulder-in on four tracks, then my marks would be lower than all the other judges.”  

Judges sitting at an arena’s E and B midpoints share the same view and should be close with their marks while H, C and M positions sometimes have different inputs and might have different marks, which is why one judge may score a performance differently than the other observing judges. There are lots of different things a judge can see from the different angles including a horse’s open mouth from E and B, but not at M, C or H. It is preferable that the judge almost always gives a remark or comment on a movement scoring lower than a 6.5 so the riders will know that their horse lacked bend seen on one end of the arena compared to the sides of the arena. And, if possible, many judges also like to give positive or encouraging remarks.

Rider to Judge Communication

FEI riders are invited and encouraged to ask questions of judges. There are no FEI rules stating that conversations between riders and judges are forbidden. Wüst invites, “Riders can always be encouraged to come up to me with their sheets and ask any question. I will give them my opinion and ask their opinion. I am open. If I did make a mistake, I will confess it to them. I will say why I was a little bit strict with a score and enjoy the discussion. It is good for our sport. We need this for our sport. We are not enemies but partners in the same sport we all love. And that is really important that we can have these exchanges of opinion in conversations. I encourage the riders to seek me out.”

She continued, “We work much more with riders and trainers in Germany. It’s always a good exchange of ideas. We can also learn from the riders and trainers. We can school our eyes and they can begin to understand what we are seeing.”

Also allowed in the USA, please note that USEF Rules (GR 702) requires a rider to find the TD or show management first in order to get permission to speak with the judge at the US national competitions. 

An Analytical Rider

Wüst pointed out, “The rider or trainer need to think in a very analytic way to see and remember their mistakes so they can be aware of what movements need work for more points. My job as the judge is to tell the rider why I went down with that mark. For example, there was a horse and rider in the medium trot that made a large curve instead of a straight line. I could see it from behind and it’s my job to say, ‘Not on a straight line.’ It is important that he knows where that one judge went down, while the others did not, and to be aware where the lower marked judge sat so the rider will not make that curve again to lose points unnecessarily."

The Overall Picture - The Training Scale and a Happy Horse

“It’s not only the quality of the gaits,” Wüst imparted, “but also the way of training. We have the training scale which of course is the rhythm, most important, the suppleness, the contact, including the mouth and whether the horse is uphill or not which means whether the horse is taking the collection. All the elements of the training scale are influencing the whole picture.”

“It’s important that a judge even between two movements is thinking about how the horse moves and whether the horse is a happy athlete, a very important component to the overall picture. We look to the face, to the mouth, to the ears to the eyes of the horse and that all forms a general impression. The good thing in dressage is that this state of training or general impression normally doesn’t change. When a horse is well trained, it comes into the ring on the aids and doesn’t change in these five minutes. It can change by tension, but if a horse is well trained you can really see the good training. Good training pays out in the test.”

“It also goes the other way, if a horse is badly trained, on the forehand, leaning on the bit, that normally also doesn’t change in the test. For us as judges, it’s very important that we have the general impression from a correct fulfilment of the training scale. It's for the welfare of the horse, that baseline.”

The Judges are Hard on Themselves

Judges are actually very hard on themselves when it comes to scoring appropriately. In sitting with Katrina in the booth, I saw that she sometimes looked at the marks of the other judges in relation to her own. I observed that while she was lower than the others in the Prix St George test, she was a little bit higher in the Grand Prix test in a consistent manner. I also observed the group of judges seeking each other out after each class for a discussion to clarify with each other on a strange move a horse made within a movement and what score and comment each gave for it. Though the judging in Wellington was very consistent the judges are constantly willing to learn and discuss and constantly caring for their craft. 

About Katrina Wüst

Katrina grew up in Western Germany in the Dusseldorf area and at a young age was quite a successful rider in the 1970s on the German B Team. Because the University in Munich was the only university to offer American Literature as a main subject, she moved to Munich to study German and American Literature. “Munich was such a beautiful city, though it was quite hard for me as a rider because the main sport is in the North and West of Germany, in Dusseldorf area, Hamburg area and Frankfurt area, so I had to drive quite a lot to get to the big competitions (about an 8hr drive). It’s not far compared to the USA, but it was also not easy.”

“I had my own barn in Munich and barely had it perfect before I had my first child. I still rode, but gave up competing for quite a while to raise my children.”

“I was also quite successful with my daughter. She rode in the German Pony Division, a big deal in Germany, on a wonderful palomino pony stallion. She was quite good in the German Pony Championships together with Jessica Werndl and Kristina Sprehe. It was a lot of fun going around with her and teaching,” Katrina acknowledged. “She’s now a lawyer and doesn’t compete at the moment.”

Wüst soon wanted to be more involved in the sport and began the path of becoming a judge. “I began judging on the lower level in the 1970s because as a rider I was annoyed with the very old way of judging at that time, especially on regional shows. I liked and understood the good judging, but not the bad judging and I wanted to make things better.” She continued, “When I had my children, I wanted to stay in contact with the sport. That's why I started judging in the 1990s. At the end of the day, I felt that the sport gave so much to me and I wanted to give something back. That’s why I really am travelling around the world to get to some of the up-and-coming countries, also in Eastern Europe. I think it’s important to give clinics and seminars to help the riders to get better and that’s really important."

Continuing, she explained, “I love giving seminars to judges and sharing my experiences. I think it’s important that judges are well educated in the judging principles and the current rules and regulations. It’s so important to the riders because they pay so much to compete in the sport, with money, time and dedication. It is really important that the judges are educated as well as they can possibly be educated. The riders deserve to have good judges. Judging and riding worldwide is on a good way.”

“I fiercely defend our judging system. As you could see, we are from different angles and sometimes have different opinions for good reasons. The riders will understand the judging. It’s much more fair to have these five experts. If for some reason one judge should be different, it is the other four who compensate for that judge. I cannot think of one big championship with the wrong winner. Our system is very flexible and always the good riding pays out.”    

Being a judge is not merely a calling, it is a lifestyle. It’s important for riders, trainers, and dressage specialists to find some time to converse with the judges, to ask them questions and to have biomechanical discussions. In utilizing one other’s life work, we can only bring a benefit to one another.

A special thank you to Katrina Wüst, not only for her judging but also for her continuous work as a leader in building a bridge with the riders, the media, the spectators and the entire sport. 

 

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The Value of the New Grand Prix Freestyles - Degree of Difficulty (DoD)

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Created by FEI 5* German dressage Judge Katrina Wüst and computer scientist Daniel Göhlen, the FEI’s new Degree of Difficulty (DoD) system for scoring Grand Prix Freestyles was launched in North America during week #1 in Wellington after proving its success in the Western European League for the World Cup qualifying competitions. Riders are now required to submit their freestyle “Kür” choreographies to the FEI database for the judges to score the floorplan during their Freestyle performance. The new Degree of Difficulty Freestyle Judging System has several benefits for riders, judges and the audience.

The DoD system helps riders gain more technical (and artistic) points in their freestyle where they wouldn’t have known otherwise. The Degree of Difficulty maneuvers have been made transparent for all riders to work towards with a set point system. The system allows the riders to better think through their freestyle patterns and it enables the judges to more accurately and proficiently score each technical movement throughout the freestyle test along with a clear DoD mark. Even though that DoD mark is only worth about 10% of the score, the entire system brings the main purpose of the Freestyle to a more accurate score overall.

“The goal is to make the freestyle scoring more transparent. Although the Degree of Difficulty mark is placed in the artistic marks area of the test, it is still very technical,” said Göhlen. “As such, she [5* FEI Judge Katrina Wüst] wanted to standardize a way to make this mark calculate better. She felt that the Degree of Difficulty mark is more a part of the technical execution than artistic. And that is why now the Degree of Difficulty mark is completely calculated through the technical execution. Without the correct execution of difficulties within the technical part of the test, that degree of difficulty mark will never be high.”

Having been successful in the Western European League and new to most others, the judges during week #1 of the Adequan Global Dressage Festival all said they like it but are still learning the new system. Even though they may need a bit more time to get used to this new practice, they think it makes the technical and the degree of difficulty section of the test more accurate.

In development for more than eight years, the DoD system was made public for the first time in 2009 at the World Dressage Forum and is now in full use for all CDI-Ws in the Western European League as well as Wellington in preparation of the 2017 World Cup in Omaha.

How do the Riders enter their Floorplan?

FEI riders enter their freestyle floorplan through a system accessible with username and password on the FEI website page. The athletes immediately know which degree of difficulty mark they could get if everything is executed well. Then, during a freestyle performance, the judge marks the movement by movement according to the individual floorplan of each rider. The computer will calculate the four components, (1) difficult movements, (2) combinations, (3) difficult transitions and (4) difficult repetitions for the DoD mark, making for more accurate scores for each judge.

How does it work?  “There are four components that make a freestyle more difficult,” explained Daniel Göhlen. “The first components are the difficult movements, the second are the combinations, the third are difficult transitions and the fourth are the repetitions.”

Each rider begins with a DoD mark of 6.5 (only worth 10% of the overall score). With each box that is checked, the score goes up according to the guidelines with a .02 - .5 mark for each of the four components (difficult movement, difficult combination, difficult transition or repetitions). However, a rider may stay within the 6.5 and still win the class without doing any of the DoD additions by executing the required movements well.  

“Riders get bonus points,” explained Göhlen, “for example in double pirouettes, difficult combinations and difficult transitions.”

Technical and Artistic Marks 

Before this new system, the judges only had a short time between riders to determine the five marks making up the artistic score, which include one box (rhythm, energy, elasticity), a second box (harmony between rider and horse), a third box (choreography, use of the arena, inventiveness) and a fourth box (degree of difficulty – now automatically calculated) and a fifth box (music and music interpretation).

The problem with the prior Degree of Difficulty system showed that judges were having difficulty remembering all the complex and intricate combinations of each ride with clear accuracy while also focusing well on the other artistic marks. FEI data confirmed that the DoD marks were often very inconsistent, proving the difficult time restraints for the judges on the DoD mark were not completely appropriate for riders.

“What happened before was that the judges’ DoD mark would never be fully accurate,” confirmed Göhlen. “It sometimes had a wide range between 6.5 and 8.”

He added, “Katrina felt that because the mark is more about execution than artistic, she wanted to standardize a way to better calculate that mark. That’s why the Degree of Difficulty score depends on the technical execution. Without proper execution within the technical part of the test, that degree of difficulty mark would never be high and a flawed execution can lead to a much lower difficulty mark. All the riders are treated the same.”

Modifiers and Repetitions

Each movement, receives a DoD modifier according to the “Code of points,” for instance a 360 degree piaffe pirouette, gets a .3 score bonus and a combination of the two movements like extended canter into a pirouette gets .2 bonus points. Difficult transition like a halt to passage gets a .05. If the boxes are checked, these small scores get added to the degree of difficulty score of the 6.5.

Difficult movements like the mentioned piaffe pirouette lead to the bonus points if executed for a 7 or better. If it is a 6, the rider does not get any bonus points and for a 5 or lower, these points will be deducted from the degree of difficulty mark. Meaning if a rider really cannot execute the difficult maneuvers well, they will not get the bonus points.

In regard to repetitions, if, for instance, a rider does three piaffes, there is an R in the box next to the modifiers for each repetition. The computer takes into account the R and gives bonus points for each score over the 6.5 for the DoD mark.

“One rider may like to do a lot of combinations while another rider may like to do difficult transitions. Some riders have as many as 7 difficult combinations and some just 3,” Göhlen explained.

It would be interesting to prepare for this degree of difficulty score in the future. For instance, if you know the four components, have a small tour horse and are preparing for the Grand Prix in a year or two’s time, you can train with the objective of getting an 8 or 9 for the DoD score.

  

A line indicates where the difficult combination begins. A scribe calls out to a judge “Combination starts” and then at “Combination ends” asks “Do you accept?”

If the judge says ‘yes’ then the box gets a check mark. But, when there is a difficult transition box, the scribe will call out, “Difficult transition. Do you accept?” and the judge will say ‘yes’ or ‘no’ and the scribe will know whether or not to check the box.

(The boxes mean that the judges are willing to accept the degree of difficulty.)

In the Case of a Mistake, is a Redo Possible?

“We don’t want to take out the ‘Free’ from Freestyle,” Göhlen stated. “The rider has the option to add in up to three additional movements which the rider did not get entered into the floorplan. The rider can also leave out movements and difficulties if the rider feels this is necessary. The ‘Joker’ box is added in the test for this.”

How is this system Spectator Friendly?

“At some shows,” he explained, “we've now shown the running score as it goes along during the freestyle and the degree of difficulty score as it moves along throughout the test on the scoreboards. It gives the spectators another mark to follow as they watch.” He continued, “also, since after the final halt, all technical marks are already in the system, we are much faster with publishing the provisional results. This means that the audience can enjoy more riders’ freestyles on the freestyle evenings. The in-advance submitted floorplans also have proven useful for commentators to enhance the narration making watching the freestyles even more engaging.”

For a complete explanation of the new Degree of Difficulty (DoD) Freestyle Judging System, click here: http://dressagefreestyle.fei.org/data/pdf/Creator-Manual.pdf

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Sports Media Announcer Nicho Meredith

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Nicho Meredith’s number one goal as the announcer at the 12-week Adequan® Global Dressage Festival dressage competition series is making spectators, officials and riders comfortable and knowledgeable. In the broadcasting booth with audio/video engineer Don Pye, the two work their magic on all things sound, including moderating music accompaniment to riders competing, working tirelessly during the Friday Night Lights Freestyle evenings, and preparing all the national anthems for the awards ceremonies before all the judges, the owners, the FEI World Ranking riders, sponsors and up to more than 2,500 spectators.

Fluent in six languages and enunciating correctly in eight more languages, Nicho announces in the native accent of the rider, repeating their name in English. Heading into his sixth year at the AGDF, he understands how stressful it can be for a competitor where there are language differences, “It’s important to me,” he explains, “that I make foreign riders and spectators both feel comfortable.” Dressage enthusiasts from the U.S., Canada and foreign countries are familiar with Nicho’s harmonious voice and attribute his broadcasting style to nurturing dressage admirers into a continuing love of the sport.

Becoming a Master of Languages

Native to Great Britain, Nicho was adopted at just ten days old, “My adoptive parents gave me everything I could wish for.” He admitted, “If I was ever to write my autobiography, it would be titled The Luckiest Man I Know.” He began riding at the age of four and fox hunted with his father, the Field Master, of the Cottesmore Hunt, “I had a great time, spoiled really. In England when hunting, you get chosen to see the fox away.  I was always one of the ones who would try to see him away. I had great horses.”

A warm and fun story teller, Nicho shared how he also learned to ride through the United Kingdom’s Pony Club, an organization that educates young people in the highest standards of equestrian achievement in riding, horse care and animal welfare. One year while at the educational summer camp, he was excused because he popped into the girls’ tent. The Commissioner, aware that Nicho never really had to groom his own horse because of his families’ ties with the local hunt, passed him his D level due to his highly efficient riding but asked that he not return to the Club for the C levels.

In his mid-teen years, he’d worked to pass his school’s General Certificate of Education’s O-level test that focused on the science field. His disappointment in failing the exam squashed his motivation. Someone gave him a ‘teach yourself Russian’ book and he quickly learned how to read and speak the difficult language, “I was pretty good at it.”

His parents realized he was not destined to be the scientist they had hoped and helped him develop his language acumen by permitting him to enter an exchange program with a French family where their son stayed with his parents and where Nicho stayed with the boy’s parents. In France, he realized not only did he delight in learning the language itself, but he took great pleasure in learning how to properly enunciate every word. “I found that I picked it up unusually quick. Because I’m so nosy and I don’t like not knowing what somebody is saying. It was sort of that which made me want to learn everything I could learn about a language.  It really was the curiosity in understanding correctly a language, then learning how to use it.  I’m really lucky that each come easy. Then I go on to really learn each accent well. I can mimic the words well. Because I dislike getting things wrong and because I’m a Gemini and math scholar, language is all a part of that mind set.”

Soon, Nicho traveled all over Europe, “I went to school in Europe for five years going to different countries to learn different languages.” He completed his schooling at the University of Salzburg in Austria.

Soon, Nicho entered the British Army where he became skilled at playing polo and was stationed in several countries, including Cyprus, Germany, Northern Ireland and Hong Kong, “I was very fortunate to be able to continue my passion for learning different languages.”

ANNOUNCING

When he was still a teenager, Nicho began announcing at the local horse shows in his native country. His big break came in 1971 with the popular three-day Burghley Horse Trials which led to a 1989 job offer in the United States, “I announced at the Rolex Kentucky Three-Day Event.” Nicho is prepared to announce in all disciplines including dressage, show jumping, combined driving, three-day events, steeple chasing, “I used to call the flat races in Aiken.”

Nicho’s extraordinary understanding of so many different languages has enabled him to be an outstanding announcer at different competition locations throughout the United States. He is eager to broadcast at all disciplines, including show jumping, dressage, combined driving, steeple chasing, three-day events and flat races.

RESIDING IN THE U.S.

Residing in Aiken, South Carolina with his longtime girlfriend, dressage rider and trainer Melanie Mitchell, Nicho rides the trails there on Melanie’s retired FEI dressage horse, Romulus. He lives on a 60-acre farm in South Carolina with 25 horses on which he built the barn himself. “When a new horse comes on the property, the moment it settles in to its stall you can see the softening in the eyes. Horses can tell right away that it’s a happy farm. It keeps me busy when I’m there, although I’m more of a carrot-feeding good guy and Melanie’s the chief disciplinarian.”

The Adequan Global Dressage Festival (ADGF)

Since the first AGDF in 2012, Nicho has been announcing the series, “I’ve seen a dream come true for Mark Bellissimo. What we have now is what he envisioned. I once announced when Mark was presenting that sometimes we all have dreams and rarely do many of them come true. For Mark, this has come true. He and Michael Stone continue to work tirelessly to promote the sport in this country.” He continued, “This is such a high quality setting and we’re the top quality series in the world, from the footing, the judges and the officials. Each year it evolves into something even more brilliant and it’s amazing to be a part of it all.” Elaborating, Nicho added, “There is such a happy atmosphere here. Some of the top European riders come here and it’s great to have this series be a magnet for quality horses. Dressage is beautiful and the AGDF here in Florida is a perfect place for spectators to learn about the sport.” He asks, “How is it possible not to love it here?”

 

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Innovative Dressage Spectator Judging App

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The dressage Spectator Judging App is catching on. Spectators are having fun seeing what scores others around them are giving all over the showgrounds at the Adequan® Global Dressage Festival during the CDI competitions.

To access the Spectator Judging App, click here:

For IOS:

CLICK HERE:   https://itunes.apple.com/us/app/spectator-judging/id991175124?ls=1&mt=8

For Android:  https://play.google.com/store/apps/details?id=com.blackhorse88.livejudging&hl=en

Check the Schedule late each week during the Seven CDI competitions. You can also score while watching live at: http://tv.coth.com/

How did this app come to be?

Way back in 2008, international judge Katrina Wüst had the idea of creating a small prototype system for freestyle scoring. Familiar with Daniel Göhlen’s success as a dressage rider at the time but also with the knowledge that he was studying computer science. She approached him in 2013 in Munich for development of a prototype. “I thought this app would take me around ten hours to create, but it’s been many more thousands of hours by now,” acknowledged Göhlen.

“Finding somebody who understands dressage and knows computer science is hard to do. Katrina needed somebody like me [to implement her freestyle system idea] and I was fortunate enough to be there at the right moment,” Göhlen said.

Daniel performed two studies, one on Computer Science and one on called Informatics: Games Engineering at the Technical University of Munich. He developed the Spectator Judging app all by himself. “The initial version was based on what I did for Katrina but when I developed it for a show in Bavaria and it exploded from there, more or less. I was really happy.”

He considers his app to be “sort of a game where a spectator can take part in real time and see how they fare with the other spectator judges as well as the FEI dressage judges.”

Göhlen, currently a German National Judge up to M Level (USA 3rd level equivalent), said that the App has already become popular in Europe, “We didn’t have as many spectator judges here at Global as we’re used to in Europe, but I think we will in the future. It’s only the first time here and I’m sure it will take time for everyone to get used to it. The current record is at Stuttgart with 380 simultaneous participants. We had more than 2,000 during the entire competition, but 380 all at the same time were using the system. That’s the record, so far.”

He did say that spectator enjoyment of the new app is increasing, “What we’ve noticed,” Daniel stated, “is that 30-35% enjoy doing the movement-by-movement scoring and 65-70% like to put in the final score. What we’re seeing is that spectators are really getting into it.”

In trying out the Spectator Judging App during a competition, one learns by making mistakes. For instance, learning where the marks go and how to place them. While a spectator has the choice of giving a final score or scoring the test movement-by-movement, the app proves enjoyable and engaging. The app makes watching dressage even more educational and fun. 

Currently, in Europe, spectators with their marks or overall scores closest to the judges receive acknowledgment. In the USA as well as in Europe, this new app will be a fun addition for spectators.  

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Laura Graves and Verdades Victorious Week 3 at 2017 Adequan® Global Dressage Festival

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Laura Graves and Verdades Photo: SusanJStickle

January 26, 2017 - 2016 Olympic bronze medalist Laura Graves (USA) and her horse Verdades won the FEI Grand Prix CDI-W, presented by Yeguada de Ymas, on the opening day of the third week of the 2017 Adequan® Global Dressage Festival (AGDF). The competition, which runs from January 26-29 and is presented by the US PRE Association, is held at the Palm Beach International Equestrian Center in Wellington, FL.

Week three of AGDF includes the "Friday Night Stars" FEI Grand Prix Freestyle, presented by the US PRE Association, on Friday, January 27. Gates open at 6 pm. General admission is free and parking is $10/car. Live stream of "Friday Night Stars" can be seen HERE.

Coming in on the top of the leader board today in the FEI Grand Prix CDI-W, presented by Yeguada de Ymas, was Laura Graves and her 2016 Rio Olympic mount Verdades, a 2002 Dutch Warmblood gelding (Florett AS x Liwilarda), earning an impressive score of 76.660% and a standing ovation from spectators.

Graves commented, "This is now his (Verdades) fourth year doing the big tour, and if I've learned anything, it's that you have a plan and you also have ten other plans. He's a super honest horse. His pirouettes can always be very good. I thought he was very rideable in those today. His half passes were nice."

WATCH Laura Graves and Verdades win the AGDF 3 FEI Grand Prix presented by Yeguada de Ymas.

This was the pair's first time in the show ring since their Team Bronze Medal win for the USA at the 2016 Rio Olympics. "He's notorious for being super sensitive. I was really thrilled about how he came out and he schooled super, and then went through the test really trying his best," said Graves.

Regarding the future and her goals, Graves said, "I really hope to qualify for the FEI World Cup Finals. Hopefully because it is so close, we can make it happen this year!"Tinne Vilhelmson-Silfven and Paradon Magi Photo: SusanJstickle

Placing second was Tinne Vilhelmson-Silfven (SWE) and Paridon Magi, a 2003 Swedish Warmblood gelding (Don Primero x Napoli x Napoleon 625) owned by Lövsta Stuteri, with a 75.080%. Third place was awarded to Charlotte Jorst (USA) and mount, Kastel's Nintendo, a 2003 Dutch Warmblood stallion (Negro x Rodieni R x Monaco) owned by Kastel Denmark, with a 73.080%.

Fourth place finishers Kathrine Bateson Chandler (USA) and Alcazar, a 2005 KWPN gelding (Cantango x Polina) owned by Jane Forbes Clark, were awarded the only 10 of the day, on their final halt from Judge Christoph Hess (GER) at E.

 FEI Prix St George Jamiey Irwin and Donegal V Photo: SusanJStickle

Earlier in the day, Jaimey Irwin (CAN) and mount Donegal V, a 2008 Dutch Warmblood gelding (Johnston x Remy x Gribaldi) owned by Team Irwin Supporters Group, captured a win in the FEI Prix St. Georges CDI 1*, presented by the Chesapeake Dressage Institute, with a score of 70.746%.

Competition at AGDF will continue tomorrow with a full schedule of classes, including the FEI Junior Rider Team - CDIJ,before the start of the second "Friday Night Stars", the FEI Grand Prix Freestyle CDI-W, presented by the US PRE Association, beginning at 7pm. For more information and to see a full list of results, please visit www.globaldressagefestival.com.

Final Results: FEI Grand Prix CDI-W, presented by Yeguada de Ymas
Place, Rider, Nationality, Horse, Horse Information: Judge E%, Judge H%, Judge C%, Judge M%, Judge B%, Total %

1. Laura Graves (USA), Verdades, 2002 Dutch Warmblood gelding by Florett AS x Liwilarda owned by Laura Graves: 77.100%, 77.400%, 74.700%, 75.800%, 78.300%, 76.660%

2. Tinne Vilhelmson Silfven (SWE), Paridon Magi, 2003 Swedish Warmblood gelding by Don Primero x Napoli x Napoleon 625 owned by Lovsta Stuteri: 76.500%, 76.000%, 73.700%, 73.900%, 75.300%, 75.080%

3. Charlotte Jorst (USA), Kastel's Nintendo, 2003 Dutch Warmblood stallion by Negro x Rodieni R x Monaco owned by Kastel Denmark: 72.900%, 72.500%, 73.200%, 72.200%, 74.600%, 73.080%

4. Kathrine Bateson Chandler (USA), Alcazar, 2005 KWPN gelding by Cantango x Polina owned by Jane Forbes Clark: 73.300%, 70.400%, 72.000%, 71.000%, 72.700%, 71.880%

5. Suzan Pape (GBR), Harmony's Fiorano, 2005 Hanoverian gelding by Rousseau x Rawina x Rotspon owned by Harmony Sporthorses: 73.100%, 72.800%, 71.500%, 70.700%, 70.000%, 71.620%

6. Suzan Pape (GBR), Harmony's Don Noblesse, 2007 Hanoverian stallion by Dancier x Descana x Don Davidoff owned by Harmony Sporthorses: 72.400%, 68.700%, 69.900%, 73.000%, 72.300%, 71.260%

7. Brittany Fraser-Beaulieu (CAN), All In, 2005 KWPN gelding by Tango x Leontine x Damiro owned by Brittany Fraser-Beaulieu: 70.900%, 71.700%, 70.300%, 71.000%, 71.200%, 71.020%

8. Arlene Page (USA), Woodstock, 2003 Dutch Warmblood gelding by Havel x Mirania owned by Arlene Page: 70.000%, 71.700%, 72.800%, 69.500%, 70.700%, 70.940%

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Laura Graves and Verdades Record Another Win at 2017 Adequan® Global Dressage Festival's "Friday Night Stars"

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Laura Graves and Verdades Photo: SusanJStickle

Laura Graves (USA) and Verdades, 2016 Rio Olympic Games bronze medalists, took their second victory gallop of the 2017 season in the "Friday Night Stars" FEI Grand Prix Freestyle CDI-W, presented by U.S. PRE Association, at the Adequan® Global Dressage Festival (AGDF) on Friday.
Week three of the AGDF, which is held at the Palm Beach International Equestrian Center (PBIEC), in Wellington, FL, will conclude on Sunday, January 29. The circuit resumes February 9-12 with the CDI5* presented by Diamante Farms; CDI 3*, presented by Wellington Equestrian Realty; and CDI 1*, presented by Engel & Völkers. The 2017 AGDF hosts seven CDI events, two CPEDI competitions, and national shows through March 25.

Watch the winning freestyle ride for Laura Graves and Verdades!

Laura Graves (USA) and her 2016 Rio Olympic Games mount, Verdades, a 2002 Dutch Warmblood gelding (Florett AS x Liwilarda) owned by Graves, topped the leader board once again tonight, with a show stopping performance and a score of 80.728%.
Graves' and Verdades' performance marks the sixth time that a score of 80% or above has been recorded at AGDF, and the pair holds three of those scores.
"This horse has a heart of gold, and he loves to come out here. There is nothing that I can really take credit for. I'd like to say that he was born this way and maybe I've nurtured it or not taken it out of him, but he's just a magical character," said Graves, who also won yesterday's FEI Grand Prix CDI-W, presented by Yeguada de Ymas, as well as Friday night's Owner and Groom Awards.

Of her ride and her time back at AGDF, she commented, "It certainly feels good to start the season on an 80%. That's been our goal by the end of a lot of our previous seasons, so that's great. It just feels so good to be back here at the Adequan® Global Dressage Festival. I've ridden in a lot of stadiums now, and there is nothing compared to this."Tinne Vilhelmson Silfvén and Paridon Magi Photo: SusanJStickle

The second place finish of the night was awarded to Tinne Vilhelmson Silfvén (SWE) and her mount Paridon Magi, a 2003 Swedish Warmblood gelding (Don Primero x Napoli x Napoleon 625) owned by Lövsta Stuteri, with a 77.517%.

"I was very pleased with Magi today. I just wanted to make sure the judges were awake, so I drifted a little from my floor plan in the beginning to scare them a bit," she joked. "Because of that I couldn't get the highest grade myself, but the horse was super tonight. It's a great atmosphere to ride in here, so it was nice."

Click to watch the video of Tinne's freestyle ride with Paridon Magi.

Arlene "Tuny" Page (USA) and Woodstock, a 2003 Dutch Warmblood gelding (Havel x Mirania) owned by Page, rounded out the top three with a score of 74.020%.
Page echoed Graves' appreciation for the current state of competition. "Without this organization (at AGDF), American dressage would not be where it is today. Being here (at AGDF) has elevated us internationally, like we've never been before," she said.

Judge Lee Tubman said of the new Degree of Difficulty scoring used in the freestyle, "The new system that has been established, (and) overall I think this will work very well. I'm happy to have been a part of it tonight and to have a better understanding, and I look forward to working with it again in the future."Tuny Page and Woodstock Photo: SusanJStickle

Allyn Mann, Director of Adequan®, said, "After all of these years, it just continues to be one of the most enjoyable experiences ever. There are great people, great horses."

The night also featured a special retirement ceremony for two-time Olympic PRE stallion Grandioso (Adelante x Sevillano IX), owned by Kim Boyer. The stallion competed for the Spanish team with rider Daniel Martin Dockx (ESP) at the London Olympics in 2012, and then again at Rio in 2016.

Other classes of the day included the FEI Young Rider Team (CDIY), sponsored by Yeguada de Ymas, and won by Codi Harrison (USA) and Katholts Bossco, a 2007 Danish Warmblood gelding (Blue Hors don Schufro x Katholts Farceur x Michellino) owned by Harrison, with a score of 69.763%. Victory in the FEI Intermediate II 16-25, sponsored by Diamante Farms, went to Juan Matute Guimon (ESP) and Dhannie Ymas, a 2007 Hanoverian gelding (Don Crusador x Welina) owned by Yeguada de Ymas S.L., with a score of 68.000%.

The FEI Junior Rider Team class, sponsored by The Axel Johnson Group, awarded the win to Natalia Bacariza Danguillecourt (ESP) and Rihanna Ymas, a 2008 Brandenburger mare (Relius x Akira x Akzento) owned by Yeguada de Ymas S.L., with a score of 67.730%. The winning score for the Intermediate I CDI1*, presented by Chesapeake Dressage Institute, was captured by Lindsay Kellock and Royal Prinz, a 2001 Oldenburg stallion (Royal Diamond x Mystica x Dream of Glory) owned by Teresa Simmons, with a score of 70.132%.

Competition at AGDF will resume tomorrow witha full schedule of classes, including theFEI Grand Prix 16-25 - CDI U25 sponsored by Diamante Farms,followed by the FEI Grand Prix Special CDI-W, presented by Yeguada de Ymas. For more information and to see a full list of results, please visit www.globaldressagefestival.com.

Final Results: FEI Grand Prix Freestyle CDI-W, presented by U.S. PRE Association
Place, Rider, Nationality, Horse, Horse Information: Judge E%, Judge H%, Judge C%, Judge M%, Judge B%, Total %

1. Laura Graves (USA), Verdades, 2002 Dutch Warmblood gelding by Florett AS x Liwilarda owned by Laura Graves: 81.860%, 78.140%, 79.055%, 80.740%, 83.845%, 80.728%

2. Tinne Vilhelmson Silfvén (SWE), Paridon Magi, 2003 Swedish Warmblood gelding by Don Primero x Napoli x Napoleon 625 owned by Lovsta Stuteri: 77.530%, 77.165%, 76.985%, 78.530%, 77.375%, 77.517%

3. Arlene Page (USA), Woodstock, 2003 Dutch Warmblood gelding by Havel x Mirania owned by Arlene Page: 75.050%, 74.295%, 74.350%, 72.250%, 74.155%, 74.020%

4. Brittany Fraser-Beaulieu (CAN), All In, 2005 KWPN gelding by Tango x Leontine x Damiro owned by Brittany Fraser-Beaulieu: 74.490%, 72.950%, 74.200%, 74.575%, 71.935%, 73.630%

5. Juan Matute Guimon (ESP), Don Diego Ymas, 2003 Warmblood gelding by Don Frederico x Wie Platine x Wolkenstein II owned by Juan F Matute: 73.915%, 73.475%, 75.720%, 74.225%, 70.700%, 73.607%

6. Jan Ebeling (USA), FRH Rassolini, 2003 Hanoverian stallion by Rubioso N x Sweetheart owned by Vantage Equestrian Group: 72.610%, 70.730%, 71.720%, 72.625%, 72.470%, 72.031%

7. Charlotte Jorst (USA), Kastel's Akeem Foldager, 2002 Danish Warmblood gelding by Akinos x Lobelia Foldager x Loran owned by Kastel Denmark: 73.740%, 72.200%, 69.645%, 71.520%, 71.280%, 71.677%

8. Jacqueline Brooks (CAN), D Niro, 1998 Swedish Warmblood gelding by D day x Alitalia x Napoleon 625 owned by Brookhaven Dressage Inc.: 68.935%, 71.180%, 72.910%, 72.425%, 68.060%, 70.702%

Laura Graves and Verdades are joined in their winning presentation by Allyn Mann of Adequan®, judge Lee Tubman, representatives from the U.S. PRE Association, Cora Causemann of AGDF, and FEI Chief Steward Elisabeth Williams. Photo: SusanJStickle

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Grandioso III’s Prominence - Daniel Martin Dockx on Developing the Spanish Horse for Competition

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During the Adequan® Global Dressage Festival week #3 presented by USPRE, the magnificent 18-year-old Spanish-bred stallion Grandioso III concluded his dressage career in style to a crowd of a couple of thousand fans. His farewell included a new Freestyle they had prepared for 2016. Grandioso’s owner, Kim Van Kampen arranged for Grandioso’s trainer and rider, Daniel Martin Dockx to travel from Spain to the USPRE week for the gifted stallion’s final performance and retirement ceremony.

Through Dani’s classical riding and exceptional training, the prominent world-class pair have competed at many other notable events that included the London 2012 Olympics, the Rio 2016 Olympics, the 2014 World Equestrian Games in Normandy, two European Championships, three Nations Cup competitions at Aachen where they earned a high score of 78.175 percent and merited even higher scores at many other European competitions. The pair were awarded twice Spanish National Champions and Grandioso has been the highest scoring Iberian horse in the world for three years straight. “The thing about Grandioso,” revealed Dani, “is that he’s always consistent.” 

Adding to the splendor of Grandioso’s show and farewell, Dani also educated the spectators by riding 13-year-old Grand Prix horse Bolero CXLVIII (Utrerano VII x Felina XVCIII (by Urano II) in a teaching demonstration titled the “Master Class with Daniel Martin Dockx.” Speaking into an overhead sound system during the Saturday lunch break at the CDI competition, Dani taught the crowd the how's and why's of his training methods. Everyone witnessed a happy, contented horse as Dani explained the same basic warm-up gynmasticizing exercises he uses regardless if a horse is three years old or a seasoned Grand Prix competition horse. One of Dressage’s finest riders, yet a humble horseman at heart, Dani has spent his life learning the exercises necessary to the development of these horses where few others have been as successful.

The Teaming Up of Daniel Martin Dockx and Kim Van Kampen

Working together for more than 12 years to bring talented PRE horses up the levels, one by one Kim has been sending young horses to Dani where he lives in Mijas near the city of Seville, Spain. Three years ago, she sent him a full group of horses, many of which were bred and raised at her Hampton Green Farm in Michigan. “Kim has a good eye,” recognizes Dani. “She knows what she needs to develop the Spanish horse for top sport. She is producing nice horses in the breeding.” With a longtime passion for the development of horses at the highest Grand Prix level in the sport, Kim has a breeding farm in Fruitport, Michigan where she breeds PRE horses from those of the Sevillano IX line that are strong with the Albero II lineage, known for producing extraordinary movements. She has also been chasing the lines that Grandioso has been blessed with.

Dani spoke very highly of the skilled stallion, “Grandioso is a very complete horse. The best point about him is his regularity. He’s very good at the shows. He goes to the ring with such focus and never gets scared or tense. He’s a horse that is very easy with the contact, so that gives him lots of points. He always gives you a guarantee and has been there for the team and for me every time. This was the amazing point about him.”

The training and eyes on the ground Dani likes most, “When I started competing Grandioso in Spain, Jan Bemelmans was the coach for our country. Kim wanted him involved in Grandioso’s career, so I got a lot of training and experience from him.” Bemelmans, born in Belgium yet a highly decorated rider for Germany also coached the Spanish National Dressage Team for fifteen years and currently works as the National Team Trainer for France. Dani said, “We really worked for that team consistency and for the major championships for Spain. It has always been our main goal to work for the team.” 

Working in Spain for more than 4 years out of a stable, Dani now concentrates full-time on the horses Kim has sent him for training. “We have a really nice team with a group of professionals and we have all become very good friends. Our vet is here at Global and the owner of the stable is here, also.”

On other upcoming horses coming along, “We have a seven-year-old with a lot of quality, a very good walk, trot and canter, but a little bit green for his age,” Dani concedes. “We also have a son of Grandioso’s coming up the levels that I like very much; he’s six years old. We will start to show him this year in the six-year-old test. We also have quite a few three-year-olds with good qualities and they just need time for the training. We have a lot of work at home to get ready for the next few years.”

How to Develop the Spanish Horses for a Long, Successful Career

When asked how he develops the PRE Horses so well for top sport in Dressage, Dani responded, “There is only one secret, work, work and work.” He pointed out, “You have to give them good, consistent basics. It’s important that you put a lot of time into that basic training, meaning, a lot of time into the gymnastics so you develop the back of the horse.”

He elaborated, “It’s really important to make sure they are pushing from behind, from the hind legs to the bit. You have to wait a little bit with Spanish horses. They are not really good at 4 years old and 5 years old. I think they start to be really good at 6 years old. The Spanish horses are not so competitive at four and five years old like the warmbloods. They need time to develop to be stronger. You have to work their whole career to make sure they develop and build a really nice back. So, we work at home with a lot of gymnastics and exercises to strengthen them.”

The Spanish Horse vs. the European Warmblood

Dani described the likeness and their differences, “Spanish horses are not polar opposites of the European Warmblood. They are different in the work. “ He corrected, “Though, you always bring out their rhythm, looseness, contact, impulsion, straightness and collection.”Dani Martin Dockx and Bolero CXLVIII Photo: Lily Forado

As warmbloods are known for having pushing power to begin with and they have to spend years developing the carrying power while the Spanish horse has carrying power to begin with and must work for the pushing power.

It becomes clear that because the Spanish horse tends to have a running rhythm to start with, they need to be ridden more slowly and over the back to bring the hind legs under by the connection and rider’s seat.

“It’s not only that you have to take care on their back as young horses, it’s also in the Grand Prix training,” Dani clarified. “It’s important to always take care on the rhythm for their backs. These are horses that need time to get stronger, so it’s important to have patience. They have all that you need inside, but you have to wait. It’s not so easy for them to compete as young horses.”

“You have to develop really good habits and stick with them in your everyday training," he continued. "When their backs do get strong, you still have to take care to push them only a short time a couple of times a week and really pat them. Then, they begin to understand what they have to do for the collection.”

He also specified, “With a little more time in their training, they are just as good as any warmblood in the competition arena.”

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A Festival of Friends with Kelby Barranco

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Kristi Wysocki, USEF ‘S’, FEI 3* Para and ‘R’ Dressage Sport Judge, has known Kelby for 8 years Photo: Barranco Collection

Among the familiar faces at the dressage shows is that of Kelby Barranco of Boynton Beach, Florida who celebrated his twentieth birthday on the 20th of January. Kelby has been part of the Wellington Dressage community since 2006 when his mom began helping Kathie LaCroix at the Jim Brandon Equestrian Center during the night shift in the national and CDI barns checking on the horses every hour in case of an emergency for the riders, owners and trainers. When they switched to the day shift, Kelby helped his Mom check wristbands and that's when hundreds of caring relationships began between each of the equestrians and Kelby.  

Born with microcephaly (a rare neurological condition) and cerebral palsy, Kelby's original prognosis was poor. His mom, Monica Barranco was told that his life skills would be very limited in that his abilities to complete whole sentences and comprehend telling time were doubtful. That all changed when he began riding lessons at four years of age. “I first met with Monica and Kelby,” recalled LaCroix, “when Kelby was around 4 or 5 years old. Monica was looking for a riding instructor who was qualified to teach people with disabilities. She was given my name. She asked if I would be interested in teaching Kelby on his own horse. Of course, I was delighted!” Kelby rode his pony, Princess for a little more than 10 years until she passed away about four years ago at age 35.

More recently, interacting with riders and show management, combined with the physical demands of running tests, has continued to help his communication skills and physical stamina immeasurably. Kelby has the chance to meet many world class dressage stars such as Jacquie Brooks, Juan Matute, Ashley Holzer, Steffen Peters, and a special horse that was destined for gold in a few short years named Valegro. In 2013, Kelby was named Youth Volunteer of The Year by USDF. LaCroix is very proud of Kelby, “I’ve seen him grow in confidence and watched him develop into a responsible young man who takes his work seriously."

Monica Fitzgerald, show manager for the Adequan Global Dressage Festival (AGDF) first enlisted the Barrancos to work the day shift at the CDI barn. From the very beginning, the show staff has always made Kelby feel trustworthy in his tasks and assignments. Several years ago at AGDF, show manager legend Lloyd Landkamer gave the young man permission to use a walkie-talkie during assignments which has helped Kelby form complete sentences and become more keen about what goes on around him. Judges will often request that Kelby contact the show office, Technical Delegate or Steward. Of the many hundreds of details that make a show run smoothly, Kelby helps to make a difference.

Event Duties, Responsibilities and Assistance

Kristi Wysocki, USEF ‘S’, FEI 3* Para and ‘R’ Dressage Sport Judge, has known Kelby for 8 years, “It seems like we’ve watched him grow up from just a kid to now being a young adult. It’s been delightful to get to know him. I remember when he would fall asleep on the back of the golf cart when helping out with the night watch and now he’s watching over the rings all on his own at times. He’s a delightful young man and it’s been so much fun to watch him come to play a major role in the sport at the competitions all over the country.“ She added, “He was a huge help to me as the coordinator at Colorado’s Young Riders in 2016. I couldn’t have done it without him. I think he’s taken on one of the major roles in helping this sport in this country.” 

Roberta Williams, Chairwoman of the USDF FEI Junior/Young Riders Committee also looked back at working with Kelby, “I got to know him many years ago when he worked the security for the CDI barn at the Jim Brandon Equestrian Center. His personality just came through as the riders smiled at him when they entered. He’s a darling of the dressage community. We’ve watched him grow into quite a nice young man and we take great joy in his achievements. He’s our good luck charm. He’s wonderful.”

Going Global/Growing Global/ Growing Up GlobalValegro, Kelby and Alan Davies Photo: Barranco Collection

After the 2016 Wellington season wrapped up, Kelby continued to work at many top shows throughout the rest of the year beyond Florida. Logging nearly 15,000 air miles in 2016, he worked at venues such as Tryon, Devon, NAJYRC, and Central Park, NY. 

Every trip has been extended by a day or more to explore their surroundings. Highlights of their fun included mountain trail rides on horseback, train rides, a helicopter ride over Charleston Harbor, a visit to the USS Yorktown, a tour through an underground mine tunnel and climb to the summit of Pike’s Peak.

In New York they visited the 911 Memorial and Museum, the Statue of Liberty and Ellis Island where Kelby found his great grandfather’s name inscribed on the Wall of Immigrants. Mother and son also had a special moment reuniting with Alan Davies and Valegro at the Central Park show where they chatted about first meeting in the quarantine barn back in 2013 at the World Dressage Masters.

Monica sighed with relief, “The dressage community has certainly become our family in helping to nurture Kelby into the caring and confident person he is today. They say it takes a village to raise a child and this is our village. It’s a safe environment and Kelby has been given opportunities to learn and grow. We’re both so grateful.”

The team at the New York Central Park Horse Show Photo: Barranco Collection

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The Benefits and Knowledge in Learning (PR) Public Relations for the Sport of Dressage

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Words are, indeed, powerful. Handled properly, they inspire interest. They inspire feelings. They inspire a connection. An informative and entertaining article draws interest, gives dressage readers including owners, sponsors, riders, coaches and others a valuable piece of information on building a better community.

While competition is at the core of the Dressage sport, insightful writing fosters peer support, camaraderie and acquaints all involved with quality services, facilities, products and different methods of training.

The premise or principle of the sport of dressage is for each rider and coach to test out their horse's training in front of a judge (or series of five judges) for an evaluation. Inside this written test or spoken observation by the judges the rider receives feedback from a judge who states, ‘Here is where you stand today at this moment in your horse's training and here is your score.’ It’s a process for continuance. 

What does that have to do with sharing your lives with the public and article writing? Well, everything. We need to learn from one another. The judges, the riders, the coaches need to share with the greater society for the common good of our entire sport. An excellent article doesn’t just state the horse and rider’s score, but the current goals for that horse, what the judges confirmed for the rider and possibly what the judges pointed out for them to improve. With so many details to choose, a good article includes the inner workings, the details, the timing associated with a horses strength, biomechanics and its current confidence level. Readers want to read about the rider and coach thought process, on the evaluation of training of their horse, and what might be ahead in its training. 

Data and the Evolving Media

Journalism is changing. These are its evolving trends:

First, Mondays are important. Verifiable data and news source analytics indicate that the highest number of views and reads occur on Mondays. The data points out that up to a third more reads of articles take place on Mondays, more than any other day of the week.Steffen Peters and Rosemunde Photo: Dressage Headlines

Second, the largest numbers of reads are about athletes readers know. From a Steffen Peters article I developed with him and posted online, I amassed over 10,000 reads during the first 24 hours alone, a total of 20,000 more throughout that month and many more ongoing.

Third, readers are interested in learning. Regardless if an article is about a top athlete, an up-and-coming athlete, the methods used to train and communicate with a horse, or the biomechanics of a horse, the readers want to be informed and understand different training systems, the successes and mistakes learned, how a rider and horse work together and even about the often confusing rule requirements and details.

And the fourth, which is essential and crucial, is the written quality of an article and the quality of the photos. A high quality writer will not only give the text a sense of flow, it will also cultivate interest and a pleasant reaction. 

Why You Should Work with a Journalist and PR

The effort and time needed to devote to this sport is plentiful and can be daunting some days. It can take a rider five years or 1,825 days to develop a good Grand Prix level horse. Even the contented person happily engaged in their daily work may question “Where are the journalists? Why don’t they want my story?” Rest assured, dedicated journalists are interested; we do want your story. That’s also how we make our living.

Riders, coaches and owners have to step up and pay for their own advertising, their own marketing, their own articles. Online or print PR articles are the answer. 

One top rider’s concern is that our sport will grow and evolve into a PR campaign competition. It's not necessary to overdo it, one, two or three well constructed articles a year will suffice.  

The good news is our sport is growing. We all need to do our part. So, hire a writer (a photo-journalist) for a couple of articles a year. It will, indeed, make a difference.

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